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> Recorder Music
2nd ben3
post May 8 2006, 12:28 PM
Post #1


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Hello I need some recorder music with flutter-tonguing and glissandos and stuff like that.
can be for any recorder from garklein to bass
dose anyone know of anything like this?
thanks
Ben again.
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andante_in_c
post May 8 2006, 12:52 PM
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The Alan Davis Cantus Avium et Volatus (published by Trinity), and for either descant or treble would fit the bill. (Bit of a subtle pun there (IMG:style_emoticons/default/tongue.gif) ). The last few pieces contain lots of different extended techniques.
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2nd ben3
post May 8 2006, 01:33 PM
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Smashing thanks
where can I get it from? what sort of grade it it?
thanks
Ben again.
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andante_in_c
post May 8 2006, 02:47 PM
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The pieces in it are from Grade 1 to 8 (in order), as they can be used for Trinity exams instead of scales for each grade. You could check on the Trinity website for stockists, but you may find it's available from a good local music shop as it's essentially an exam book.
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anacrusis
post May 8 2006, 07:35 PM
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also Hans-Martin Linde - the Fantasien & Scherzi has flutter-tonguing, glisses and pulsed vibrato. Music for a Bird has chords, flutter-tonguing,glissandi,vibrato using the hand over the labium. Guus Haverkate, 12 advanced studies for descant, book 2, has a piece called "danse macabre" with flutter-tonguing and quarter-tones. The first two are diploma-level - ATCL/dipABRSM, and the Haverkate is grade 8 (Trinity). I know there are other Haverkate books, but haven't seen the music, so can't comment on the other pieces.
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IrisH - LoonY
post May 8 2006, 07:56 PM
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QUOTE(anacrusis @ May 8 2006, 08:35 PM) *

pulsed vibrato


How DO you play that?!
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anacrusis
post May 8 2006, 11:01 PM
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someone published a link somewhere (sorry, I continue to be useless at finding stuff on the fora) about that - Galway making a whole audience go ha-ha-ha in time to a beat...but that, basically, is the technique. Fantasien & Scherzi, (IMG:style_emoticons/default/ph34r.gif) , has bits where you have to, er, vibrate, in time to a beat. Mine is ropey, obviously not enough experience in pantomime laughing. (IMG:style_emoticons/default/laugh.gif) ha (IMG:style_emoticons/default/laugh.gif)
I'm also trying to get a perfectly normal baroque piece to "warm up" in places - a very few, select, places - by means of a weeny bit of vibrato at the ends of very long notes. A weird experience for someone who really doesn't like the sound of the vibrato used in modern orchestras today...
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benjaminja
post May 9 2006, 04:54 PM
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I'm no expert, but I'd imagine pulsed vibrato is much easier than flutter tonguing... (IMG:style_emoticons/default/ph34r.gif)
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anacrusis
post May 9 2006, 05:30 PM
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I've never had any trouble going "fwffffthrrrrrrrrrrrrrrarp!" but don't giggle to order... (IMG:style_emoticons/default/blink.gif) (IMG:style_emoticons/default/biggrin.gif)
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Alison
post May 9 2006, 06:49 PM
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QUOTE(anacrusis @ May 8 2006, 07:35 PM) *

Guus Haverkate, 12 advanced studies for descant, book 2, has a piece called "danse macabre" with flutter-tonguing and quarter-tones. The first two are diploma-level - ATCL/dipABRSM, and the Haverkate is grade 8 (Trinity). I know there are other Haverkate books, but haven't seen the music, so can't comment on the other pieces.


Haverkate book 1 has one or two lovely pieces - the rumba is quite easy (grade 6 ABRSM) and includes a short burst of flutter tonguing (and it's great fun to play). The others use a mixture of other techniques.
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Garkleine
post May 9 2006, 06:59 PM
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Listened to a masterclass with John Turner and the pupil was doing "The Fly"- apparently its a diploma piece - it definitley needed flutter tonguing. It was out of a set of studies - haiku studies?
I'm sure that someone can tell us the name of the pieces if we wait long enough.
It was very fast and very impressive! (IMG:style_emoticons/default/biggrin.gif)
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andante_in_c
post May 9 2006, 07:02 PM
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I took delivery today of a piece for bass recorder called The Voice of the Crocodile. I don't even understand the first two pages, let alone have a chance of playing them. (IMG:style_emoticons/default/ph34r.gif)
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benjaminja
post May 9 2006, 08:13 PM
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QUOTE(andante_in_c @ May 9 2006, 08:02 PM) *

I took delivery today of a piece for bass recorder called The Voice of the Crocodile. I don't even understand the first two pages, let alone have a chance of playing them. (IMG:style_emoticons/default/ph34r.gif)

Excellent. I have a couple of recordings of this. The shouting made me jump first time I listened to it! (IMG:style_emoticons/default/blink.gif)
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andante_in_c
post May 9 2006, 08:15 PM
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QUOTE(benjaminja @ May 9 2006, 09:13 PM) *

QUOTE(andante_in_c @ May 9 2006, 08:02 PM) *

I took delivery today of a piece for bass recorder called The Voice of the Crocodile. I don't even understand the first two pages, let alone have a chance of playing them. (IMG:style_emoticons/default/ph34r.gif)

Excellent. I have a couple of recordings of this. The shouting made me jump first time I listened to it! (IMG:style_emoticons/default/blink.gif)


Are they commercially-produced recordings, and, if so, who's playing?
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sarah-flute
post May 9 2006, 10:06 PM
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I'm very intrigued that it's actually incomprehensible... (IMG:style_emoticons/default/ohmy.gif)
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