Welcome Guest ( Log In | Register )

> Forums Rules

A shortened version of the Forums Rules is given below. The full version can be found here.

By maintaining a user account and by posting to these forums, you hereby agree to abide by these rules.

FORUMS RULES - A SNAPSHOT
- Stay safe - protect your privacy and respect the privacy of others
- No abusive, offensive or aggressive postings
- No insults or personal attacks
- No foul language
- No trolling
- No inappropriate or illegal material
- No advertising (including "For Sale" or "Wanted" adverts)
- No crossposting
- No forum spamming
- No defamatory comments
- Avoid using jargon, abbreviations or "text talk"

 
Reply to this topicStart new topic
> Teaching Syncopation To A 7 Year Old
kate bush fan
post Apr 23 2007, 06:12 PM
Post #1


Advanced Member
***

Group: Members
Posts: 172
Joined: 1-December 06
Member No.: 8520



Has anyone got any ideas for teaching a beginning student syncopation? I am not sure if it is even too early for syncopation but we have come to this point with the method book and I notice both grade 1 and jazz 1 have pieces using syncopation anyhow. So far I have tried

beating a steady beat with left hand whilst playing tricky rhythm in right
playing a steady crochet with left whilst playing right
getting the student to echo my clapping
asking the student to come in on the off beat in an improvisation

I am sure when the child goes home it will all unravel but I am short of ideas for next week if it does.

Thanks
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
susiejean
post Apr 23 2007, 06:17 PM
Post #2


Advanced Member
***

Group: Members
Posts: 378
Joined: 29-March 07
From: Aberdeenshire
Member No.: 10392



QUOTE(kate bush fan @ Apr 23 2007, 07:12 PM) *

Has anyone got any ideas for teaching a beginning student syncopation? I am not sure if it is even too early for syncopation but we have come to this point with the method book and I notice both grade 1 and jazz 1 have pieces using syncopation anyhow. So far I have tried

beating a steady beat with left hand whilst playing tricky rhythm in right
playing a steady crochet with left whilst playing right
getting the student to echo my clapping
asking the student to come in on the off beat in an improvisation

I am sure when the child goes home it will all unravel but I am short of ideas for next week if it does.

Thanks

Isn't it a horror! I really struggle to get pupils to even play a dotted rhythm. Even if you tell them to think skipping, they go all even on me. Having danced for the best part of 25 years, I always found it really easy, so I'm waiting with interest to see what suggestions come up. (IMG:style_emoticons/default/sleep.gif)
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
HelenVJ
post Apr 23 2007, 06:28 PM
Post #3


Advanced Member
***

Group: Members
Posts: 948
Joined: 3-May 04
Member No.: 1265



Dotted crotchet+ quaver = Bob - the builder etc ( Can he fix it?)
Syncopated = We are the champions
Walk round (steady pulse!) singing/chanting the words (in rhythm) . Then apply to instrument.
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
ali607
post Apr 23 2007, 07:46 PM
Post #4


Newbie
*

Group: Members
Posts: 47
Joined: 19-January 06
From: Aberdeen
Member No.: 5916



QUOTE(HelenVJ @ Apr 23 2007, 07:28 PM) *

Dotted crotchet+ quaver = Bob - the builder etc ( Can he fix it?)
Syncopated = We are the champions
Walk round (steady pulse!) singing/chanting the words (in rhythm) . Then apply to instrument.

wow theyre good ones!
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
Roseau
post Apr 23 2007, 08:59 PM
Post #5


Virtuoso
*****

Group: Members
Posts: 5787
Joined: 29-January 06
Member No.: 6007



My daughter's cello teacher said that it was pointless trying to explain syncopation to young children (and my daughter was nine so two years older than your pupil). Instead she said my daughter should listen to the CD of the piece over and over again during her first practice session after the lesson and not even attempt to play it. Then at every other practice she should listen then sing along with the CD and finally play it.

I was a bit sceptical but this did actually work. What I found even more surprising is that my daughter now recognises the rhythms when she sees them in other pieces and says "oh that's like in ..." and can play them more or less correctly by thinking back to what she learnt previously (rather than by any rational analysis).
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
chocolatedog
post Apr 23 2007, 09:01 PM
Post #6


Virtuoso
*****

Group: Members
Posts: 3861
Joined: 4-June 05
Member No.: 3798



I tend to use silly phrases to help them understand the feel of the rhythm......
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
sarah-flute
post Apr 23 2007, 09:07 PM
Post #7


Maestro
******

Group: Members
Posts: 25735
Joined: 14-December 04
From: Insomniaville
Member No.: 2729



QUOTE(kerioboe @ Apr 23 2007, 09:59 PM) *
I was a bit sceptical but this did actually work. What I found even more surprising is that my daughter now recognises the rhythms when she sees them in other pieces and says "oh that's like in ..." and can play them more or less correctly by thinking back to what she learnt previously (rather than by any rational analysis).

I guess that's a case of learning a bit like we learn to speak as children - the whole mother tongue method thing.
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
Violinia
post Apr 23 2007, 09:09 PM
Post #8


Virtuoso
*****

Group: Members
Posts: 4063
Joined: 27-December 03
Member No.: 319



This is one of the times to think: sound before symbol. Seven years old isn't too young to understand syncopation - no way! - but only if you sing it first. Walk into any (good) primary school and you'll hear a whole hall full of 5-year-olds singing a syncopated calypso - if anything I think little kids find syncopated rhythms easier to sing than straight rhythms.

So get or make a backing track to the tune you want her to learn, and sing the tune together till she knows it backwards. Then she'll find it the melody to play, and if you show her how it looks on the printed page she'll begin to understand how syncopated notation works too.

I've got some quite young kids playing the Titanic theme (groan I know, but they love it) and when they get to the syncopated bit in the 3rd line they always play it correctly whether they truly understand the notation or not because they know how it's supposed to go.

When in doubt, always sing!
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
Alison
post Apr 24 2007, 08:28 AM
Post #9


Advanced Member
***

Group: Members
Posts: 726
Joined: 24-November 03
From: somewhere between here and elsewhere
Member No.: 187



Definitely put words to it - mine usually involve chocolate (IMG:style_emoticons/default/tongue.gif)

But walking / clapping rhythms is always a good idea too.
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
Minstrel
post Apr 26 2007, 07:06 PM
Post #10


Advanced Member
***

Group: Members
Posts: 991
Joined: 29-January 07
Member No.: 9268



Je-lleee and ice cream!
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
fiddle_freak
post Apr 26 2007, 07:30 PM
Post #11


Advanced Member
***

Group: Members
Posts: 147
Joined: 16-April 06
From: England!
Member No.: 6665



Dotted rhythm = Weeeeeeeeetabix!

(IMG:style_emoticons/default/biggrin.gif)

User is offlineProfile CardPM
Go to the top of the page
+Quote Post
mcm
post Apr 27 2007, 03:55 PM
Post #12


Advanced Member
***

Group: Members
Posts: 675
Joined: 29-March 07
From: Scotland
Member No.: 10395



Not syncopation, came across the following to illustrate the feel of different time sigs:

A rusty, spidery, copper-plated antiquarian door. I.e. 1, 2, 3, 4, 5.
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
sarah-flute
post Apr 27 2007, 04:53 PM
Post #13


Maestro
******

Group: Members
Posts: 25735
Joined: 14-December 04
From: Insomniaville
Member No.: 2729



QUOTE(mcm @ Apr 27 2007, 04:55 PM) *
Not syncopation, came across the following to illustrate the feel of different time sigs:

A rusty, spidery, copper-plated antiquarian door. I.e. 1, 2, 3, 4, 5.

I think I missed something - I don't get it (IMG:style_emoticons/default/huh.gif) (IMG:style_emoticons/default/unsure.gif)
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
sbhoa
post Apr 27 2007, 05:08 PM
Post #14


Maestro
******

Group: Members
Posts: 18925
Joined: 31-October 03
From: Tameside
Member No.: 24



QUOTE(sarah-flute @ Apr 27 2007, 05:53 PM) *

QUOTE(mcm @ Apr 27 2007, 04:55 PM) *
Not syncopation, came across the following to illustrate the feel of different time sigs:

A rusty, spidery, copper-plated antiquarian door. I.e. 1, 2, 3, 4, 5.

I think I missed something - I don't get it (IMG:style_emoticons/default/huh.gif) (IMG:style_emoticons/default/unsure.gif)


Each word has a different number of syllables .
User is online!Profile CardPM
Go to the top of the page
+Quote Post
sarah-flute
post Apr 27 2007, 05:17 PM
Post #15


Maestro
******

Group: Members
Posts: 25735
Joined: 14-December 04
From: Insomniaville
Member No.: 2729



Ahhhhhhhhhh

Sorry, being dense.....
User is offlineProfile CardPM
Go to the top of the page
+Quote Post
« Next Oldest · Teachers · Next Newest »
 

Reply to this topicStart new topic

 



Lo-Fi Version Time is now: 23rd May 2013 - 03:44 PM