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| schraeubchen |
Jan 3 2012, 10:07 AM
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#16
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Prodigy ![]() ![]() ![]() ![]() Group: Members Posts: 1355 Joined: 6-January 10 From: Germany Member No.: 86433 |
Dear Jojo,
I am sorry to read about your doubts. I can't add something to Rosies post, only one question: "Do you think it's possible to forget everything past grade one standard you've already learned?" I usually split my practice time one half working on basics and the other half working on pieces. Until now it seems to make perfectly sense. All the best for friday to you. |
| jojo |
Jan 3 2012, 10:57 AM
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#17
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 5198 Joined: 18-December 06 From: Member No.: 8716 |
Here are some quotes from some articles by Simon Fischer I've just been reading that seem relevant: So it's absolutely true that the basics are extremely important at all times, but since you are already able to play so much wonderful music, I think it would be more motivating to stick with that wonderful music. I think a mixed approach with pieces at a variety of levels, as Cestrian describes, would be the best way forward. It's true that there's plenty of music that has been labelled with low grades that's beautiful and worth playing (just yesterday I discovered the Meditation by Bridge and the Romance from the concertino by Bacewicz, both of which somebody has decided to call 'grade 4', and I'm tempted to get the music for both of them and learn them), but don't play any 'easy' stuff that really isn't worth it, or bore yourself, just for the sake of going back to basics - you can do that without losing the music! Sorry if that ramble didn't bring up anything you hadn't already thought of, and good luck! (IMG:style_emoticons/default/smile.gif) Thank you so much Rosie for taking the time to write such wonderful post, it was very inspiring (IMG:style_emoticons/default/smile.gif) I just wanted to say: 'I can't play 'any' wonderful music actually....that is why I have come up with this latest thought of going back to basics. It's true! there isn't ONE piece of music I can play decently enough, NOT ONE! And I am not talking about playing it at really high standard at all! you want the proof? I will upload myself on youtube and you can listen, but then you will come back and tell me I sound ok just to make me happy and I appreciate that, who in their right mind would tell me I sound 'not ok' and slash my dreams and risk to make me put the violin down forever? Not any of you I know (IMG:style_emoticons/default/laugh.gif) But I have ears and I know what I should sound like and when I record myself and watch my videos I KNOW if I am out of tune, I KNOW if I have played a passage well or not and believe me, I DON'T play anything well enough end of story, not even grade 5 pieces so why should I be doing grade 7 and 8 pieces? I think I have to go back at least to grade 2 I am NOT JOKING HERE! Dear Jojo, I am sorry to read about your doubts. I can't add something to Rosies post, only one question: "Do you think it's possible to forget everything past grade one standard you've already learned?" Hi Schraeubchen (IMG:style_emoticons/default/smile.gif) No, one cannot 'forget' what one has learnt, but I think I never learnt properly to begin with (IMG:style_emoticons/default/smile.gif) (IMG:style_emoticons/default/wacko.gif) |
| violinlove |
Jan 3 2012, 11:59 AM
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#18
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Advanced Member ![]() ![]() ![]() Group: Members Posts: 383 Joined: 2-January 12 Member No.: 381238 |
I just wanted to say: 'I can't play 'any' wonderful music actually....that is why I have come up with this latest thought of going back to basics. It's true! there isn't ONE piece of music I can play decently enough, NOT ONE! And I am not talking about playing it at really high standard at all! you want the proof? I will upload myself on youtube and you can listen, but then you will come back and tell me I sound ok just to make me happy and I appreciate that, who in their right mind would tell me I sound 'not ok' and slash my dreams and risk to make me put the violin down forever? Not any of you I know (IMG:style_emoticons/default/laugh.gif) But I have ears and I know what I should sound like and when I record myself and watch my videos I KNOW if I am out of tune, I KNOW if I have played a passage well or not and believe me, I DON'T play anything well enough end of story, not even grade 5 pieces so why should I be doing grade 7 and 8 pieces? I think I have to go back at least to grade 2 I am NOT JOKING HERE! I think you should continue to do what your teacher asks you and work on the more difficult music but dedicate some time each day to relearning all your repertoire (starting from your beginner book). Set a fixed length of time to do this - say 15 minutes or half an hour. Then start at the beginning again. Apply the techniques your teacher is teaching you to the beginner pieces. When you are happy with a piece, then move on to the next one and so on up. I think you will be surprised at how well you can play pre-grade 1 pieces! |
| Blackbird77 |
Jan 3 2012, 12:18 PM
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#19
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Advanced Member ![]() ![]() ![]() Group: Members Posts: 721 Joined: 5-June 07 Member No.: 11830 |
Jojo - right now I can name two pieces that I've heard you play that you can play "decently enough", although I would say that you are playing them more than decently enough - how about GREAT. The theme from Schindler's List and Meditation by Thais. I'm not saying this to make you feel good although if it does it's a bonus. I am saying this because.....IT IS THE TRUTH!
There's nothing wrong with wanting to go back a step and consolidate but there comes a point that the more we want perfection, the more it will elude us and then we get trapped in a vicious cycle. My teacher tells me that how a piece sounds to my ears will sound completely different to someone else because we are too hard on ourselves and our perception is sometimes different. If I remember rightly, you passed your G5 pieces with very high merits/distinction marks so an examiner obviously thinks that your playing is above standard. Before you see your teacher, could you make a list of all your strengths in your violin playing (and you have an abundance of them) and a list of the areas that you feel need stripping back and consolidating? I personally don't feel you need to go right back to the start, but perhaps use this as an opportunity for reflection and appraisal. Then - keep going forwards and don't look back (IMG:style_emoticons/default/biggrin.gif) |
| viola-mad |
Jan 3 2012, 12:23 PM
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#20
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Advanced Member ![]() ![]() ![]() Group: Members Posts: 859 Joined: 29-June 08 Member No.: 33908 |
I just wanted to say: 'I can't play 'any' wonderful music actually....that is why I have come up with this latest thought of going back to basics. It's true! there isn't ONE piece of music I can play decently enough, NOT ONE! And I am not talking about playing it at really high standard at all! you want the proof? I will upload myself on youtube and you can listen, but then you will come back and tell me I sound ok just to make me happy and I appreciate that, who in their right mind would tell me I sound 'not ok' and slash my dreams and risk to make me put the violin down forever? Not any of you I know (IMG:style_emoticons/default/laugh.gif) But I have ears and I know what I should sound like and when I record myself and watch my videos I KNOW if I am out of tune, I KNOW if I have played a passage well or not and believe me, I DON'T play anything well enough end of story, not even grade 5 pieces so why should I be doing grade 7 and 8 pieces? I think I have to go back at least to grade 2 I am NOT JOKING HERE! Hi Jojo. Ok, we know you have the basics (a decent violin, a good teacher, and the aptitude and dedication to have reached an advanced level of playing). What you wrote above indicates that you also have: 1. A good ear. 2. The judgement skills to know when you have not executed a passage correctly. 3. The judgement skills to know when you have not played a passage as well as you could have done (subtly different from above). 4. The patience, drive and commitment to go as far back as necessary to work on whatever techniques need improving. What do you need in order to improve further? Well, all of the above. You already have all the right ingredients. Just add time. Anyone who is interested in improving their skills (at anything, not just music) is probably guilty of beating themselves up. It is normal and commonplace, both in amateurs and professionals. However, Jojo, I do think you give yourself a harder time than most. Wanting to improve is one thing, but I would hate for you to make yourself ill over it. Please be as kind to yourself as you would be to anyone else! With regard to your 'back to basics' proposal, I'd say go for it. I hope you start to see results soon. (IMG:style_emoticons/default/smile.gif) |
| miffy |
Jan 3 2012, 03:06 PM
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#21
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 2586 Joined: 27-October 08 Member No.: 43225 |
Sometimes the problem with 'seeming' to progress very fast in the first few years is that you suddenly turn round and realise that none of these techniques are as sound as you thought. Maybe rather than 'starting again' as such, it would be a good time to consolidate?
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| ffliwt |
Jan 3 2012, 03:09 PM
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#22
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Prodigy ![]() ![]() ![]() ![]() Group: Members Posts: 1580 Joined: 17-February 07 Member No.: 9572 |
Sometimes the problem with 'seeming' to progress very fast in the first few years is that you suddenly turn round and realise that none of these techniques are as sound as you thought. Maybe rather than 'starting again' as such, it would be a good time to consolidate? Exactly (IMG:style_emoticons/default/smile.gif) When i got to music college i found myself suddenly in comparison to 10 people who have been playing 3 times longer than me... i realised that whilst i'm the same 'level' as them, maybe some things aren't quite as secure or developed so i've devoted a lot of time to sorting out individual things bringing them up. My teacher said i'm in a good position in that any 'bad' or 'wrong' habits are easy to re-learn/correct because i havent had them engrained in my brain for the last 12+ years like everyone else! You're in the same position (IMG:style_emoticons/default/smile.gif) There are many negatives to 'fast progress' but some positives too (IMG:style_emoticons/default/wink.gif) (IMG:style_emoticons/default/tongue.gif) |
| miffy |
Jan 3 2012, 05:26 PM
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#23
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 2586 Joined: 27-October 08 Member No.: 43225 |
Sometimes the problem with 'seeming' to progress very fast in the first few years is that you suddenly turn round and realise that none of these techniques are as sound as you thought. Maybe rather than 'starting again' as such, it would be a good time to consolidate? Exactly (IMG:style_emoticons/default/smile.gif) When i got to music college i found myself suddenly in comparison to 10 people who have been playing 3 times longer than me... i realised that whilst i'm the same 'level' as them, maybe some things aren't quite as secure or developed so i've devoted a lot of time to sorting out individual things bringing them up. My teacher said i'm in a good position in that any 'bad' or 'wrong' habits are easy to re-learn/correct because i havent had them engrained in my brain for the last 12+ years like everyone else! You're in the same position (IMG:style_emoticons/default/smile.gif) There are many negatives to 'fast progress' but some positives too (IMG:style_emoticons/default/wink.gif) (IMG:style_emoticons/default/tongue.gif) Yes, now you know how to play the techniques, take the time to master them (IMG:style_emoticons/default/smile.gif) |
| immy |
Jan 3 2012, 07:14 PM
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#24
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Member ![]() ![]() Group: Members Posts: 90 Joined: 5-February 06 Member No.: 6070 |
You may not know me Jojo, as I hardly ever post anything (but read the forum a lot), but have you tried reading the Inner Game of Music by Barry Green? It might just help. I have found it very useful and from reading your posts I am not dissimilar to you, in the sense of being an expert in telling myself how terrible I am! I even re-read it from time to time, as a reminder to not beat myself up all the time.
One of the other problems I find is that whilst you are playing twinkle twinkle, in the early days, you are not comparing yourself to anyone else. You are just glad to be making a sound. Once you get a bit further on most of the pieces you are playing have been recorded by the good and the great, or you hear them performed live, and that is the sound you are aiming for. Sadly, even if one were to start all over again a hundred times, you and I are never going to achieve that sound in this lifetime. I find it a hard thing to get to grips with, but it is the truth we have to live with. Either live with it or give up altogether and miss out on all the fun of making music. So on balance I think living with the frustration is the better option by far. In the meantime, like most of the others, I would not advocate starting all over again, but rather spending a good part of your daily practice time on bowing open strings, simple bowing and finger exercises, slow scales in various bowing patterns, and in 3rds and 6ths etc for intonation. Finally, do you play in an orchestra or with others in a chamber group? Such a good opportunity to have fun making music and not be completely focused every second on your own sound. Just being part of a symphony gives such a sense of fulfillment! With any luck the brass behind you will drown out any dodgy intonation. Hope some of this might help. |
| miffy |
Jan 4 2012, 03:01 PM
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#25
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 2586 Joined: 27-October 08 Member No.: 43225 |
All good thoughts from Immy - Jojo, I have the book Immy recommends if you want it?
It's all to easy to get into the 'oh, I sound rubbish' trap and hard to get out of, and for other people to convince you otherwise. I know when you are feeling this way probably the worst thing I could suggest is recording yourself, but you could try it with a resolve to ONLY hear/see the good parts (however small!), even make a list of the things you CAN do. You may surprise yourself.. |
| jod |
Jan 4 2012, 05:31 PM
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#26
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Maestro ![]() ![]() ![]() ![]() ![]() ![]() Group: Banned Posts: 9899 Joined: 14-January 05 From: Burwell, Cambridgeshire Member No.: 2939 |
Jo-Jo, what do I know about string playing, I'm only a singer, except when I went to college I had to rebuild my technique due to placing problems, and I was made to do this on Grade 8 + repertoire and not Nursery rhymes.
It would have been better and easier to have done so using easier songs, so I could have worked on the passagi better and furthermore had my singing teacher at college not put a false ceiling on my voice, I would have had a better feeling for where the passagi actually were. So from this lesson, my suggestion is if you feel it is necessary to rebuild your bowing technique by going back to bowing patterns on open strings, then do it. I've just no2son do a term of that and add 1st finger 1st position towards the end. If you want to correct your intonation by going back to 1st position and honing into your listening skills with no vib and no changes of position, then go for it. Secure that intonation and fingering at the fundamental stage. You will know when you are happy and with a teacher with a good ear, they can reassure you. Then add 2nd add scales where you are using 1st position 4th finger instead of the open string. Once happy with 1st and 2nd position add 3rd, only add the next step when you are completely happy. Learn new pieces rather than revising old, but learn new pieces at the correct level. You will soon be back playing the Bach Sonata. However you will be playing the Bach Sonata knowing you have consolidated your technique. I've had to do similar things with my oboe and with the piano as well as my singing so know it is worthwhile. You are not the first musician who has felt this way or even done this. I admire you for working this out for yourself rather than needing to be told. You have been flattered by those who have heard you play, and if their faith in you is justified (I think it just might) you will be the better player as a result. Good luck. However, remember, I am not a string player so what do I know! (IMG:style_emoticons/default/wink.gif) |
| michael N |
Jan 4 2012, 06:23 PM
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#27
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Member ![]() ![]() Group: Members Posts: 93 Joined: 2-September 11 Member No.: 309573 |
I would like to hear these grade 5 pieces that JoJo plays so badly.
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| jojo |
Jan 4 2012, 11:23 PM
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#28
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 5198 Joined: 18-December 06 From: Member No.: 8716 |
Sorry everyone, been busy at work and off the forum (IMG:style_emoticons/default/blush.gif)
I think you should continue to do what your teacher asks you and work on the more difficult music but dedicate some time each day to relearning all your repertoire (starting from your beginner book). Set a fixed length of time to do this - say 15 minutes or half an hour. Then start at the beginning again. Apply the techniques your teacher is teaching you to the beginner pieces. When you are happy with a piece, then move on to the next one and so on up. I think you will be surprised at how well you can play pre-grade 1 pieces! Thank you violinlove, this may be an option, do half practice on 'grade one' half on what I am doing now....maybe...still have to talk to teacher tomorrow (aaarrrggghhh (IMG:style_emoticons/default/ph34r.gif) ) Jojo - right now I can name two pieces that I've heard you play that you can play "decently enough", although I would say that you are playing them more than decently enough - how about GREAT. The theme from Schindler's List and Meditation by Thais. I'm not saying this to make you feel good although if it does it's a bonus. I am saying this because.....IT IS THE TRUTH! Before you see your teacher, could you make a list of all your strengths in your violin playing (and you have an abundance of them) and a list of the areas that you feel need stripping back and consolidating? I personally don't feel you need to go right back to the start, but perhaps use this as an opportunity for reflection and appraisal. Thank you BlackBird, I'll have to say thank you to what you said about my two performances....how could I not? (IMG:style_emoticons/default/wink.gif) if you think I played well enough that is all that matters really! (IMG:style_emoticons/default/biggrin.gif) I actually have recorded those performances and maybe when I listen to them I listen to them with an overcritical ear (the one of a teacher?), that can be very good of course as otherwise we would never improve but I think I also use my overcritical ear a little too much the negative way ie: I should indeed use it to 'acknowledge' in order to know what to change/improve next time but not to 'bash myself' (IMG:style_emoticons/default/laugh.gif) Hi Jojo. Ok, we know you have the basics (a decent violin, a good teacher, and the aptitude and dedication to have reached an advanced level of playing). What you wrote above indicates that you also have: 1. A good ear. 2. The judgement skills to know when you have not executed a passage correctly. 3. The judgement skills to know when you have not played a passage as well as you could have done (subtly different from above). 4. The patience, drive and commitment to go as far back as necessary to work on whatever techniques need improving. What do you need in order to improve further? Well, all of the above. You already have all the right ingredients. Just add time. Anyone who is interested in improving their skills (at anything, not just music) is probably guilty of beating themselves up. It is normal and commonplace, both in amateurs and professionals. However, Jojo, I do think you give yourself a harder time than most. Wanting to improve is one thing, but I would hate for you to make yourself ill over it. Please be as kind to yourself as you would be to anyone else! With regard to your 'back to basics' proposal, I'd say go for it. I hope you start to see results soon. (IMG:style_emoticons/default/smile.gif) Absolutely viola-mad! you are SO right and as in my reply to BlackBird I probably have a very good tool indeed: my ear! should stop using it to 'bash myself' and use it more to practice those passages! (IMG:style_emoticons/default/laugh.gif) Sometimes the problem with 'seeming' to progress very fast in the first few years is that you suddenly turn round and realise that none of these techniques are as sound as you thought. Maybe rather than 'starting again' as such, it would be a good time to consolidate? Yup Miffy 'consolidate' is what I've been trying to do, but I think I 'miss' some basic building blocks as I keep falling onto the floor too often, otherwise why is my teacher telling me off just too much all of the time? I would have hoped his telling off would slow down just a tiny bit by now? noooooooo it's not! that is why I am still making all the silly mistakes I was making 2 and a half years ago! that's why! I need to go back I think! I'll tell him tomorrow (IMG:style_emoticons/default/sad.gif) Exactly (IMG:style_emoticons/default/smile.gif) When i got to music college i found myself suddenly in comparison to 10 people who have been playing 3 times longer than me... i realised that whilst i'm the same 'level' as them, maybe some things aren't quite as secure or developed so i've devoted a lot of time to sorting out individual things bringing them up. My teacher said i'm in a good position in that any 'bad' or 'wrong' habits are easy to re-learn/correct because i havent had them engrained in my brain for the last 12+ years like everyone else! You're in the same position (IMG:style_emoticons/default/smile.gif) There are many negatives to 'fast progress' but some positives too (IMG:style_emoticons/default/wink.gif) (IMG:style_emoticons/default/tongue.gif) I don't think I have progressed that fast...I have been playing 5 years and I don't know what 'grade' I am to be honest maybe 6? I can't say I am grade 7 as I can play grade 7 pieces if they are 'slow' but give me a fast one and I'll make a mess of it!!! and grade 8 pieces slow yeah maybe fast? FORGET IT! so no, it's not that fast my progress, I'd say average and if you actually stop and listen to how I play I don't play that well at all, quite below average so you take that into view as well, if you want me to play 'well' maybe I can only play grade 3 to 4 pieces adequately, anything more difficult I can't play well so no, I have not progressed fast after all...but thank you for having such high view of me (IMG:style_emoticons/default/biggrin.gif) You may not know me Jojo, as I hardly ever post anything (but read the forum a lot), but have you tried reading the Inner Game of Music by Barry Green? It might just help. I have found it very useful and from reading your posts I am not dissimilar to you, in the sense of being an expert in telling myself how terrible I am! I even re-read it from time to time, as a reminder to not beat myself up all the time. One of the other problems I find is that whilst you are playing twinkle twinkle, in the early days, you are not comparing yourself to anyone else. You are just glad to be making a sound. Once you get a bit further on most of the pieces you are playing have been recorded by the good and the great, or you hear them performed live, and that is the sound you are aiming for. Sadly, even if one were to start all over again a hundred times, you and I are never going to achieve that sound in this lifetime. I find it a hard thing to get to grips with, but it is the truth we have to live with. Either live with it or give up altogether and miss out on all the fun of making music. So on balance I think living with the frustration is the better option by far. In the meantime, like most of the others, I would not advocate starting all over again, but rather spending a good part of your daily practice time on bowing open strings, simple bowing and finger exercises, slow scales in various bowing patterns, and in 3rds and 6ths etc for intonation. Finally, do you play in an orchestra or with others in a chamber group? Such a good opportunity to have fun making music and not be completely focused every second on your own sound. Just being part of a symphony gives such a sense of fulfillment! With any luck the brass behind you will drown out any dodgy intonation. Hope some of this might help. Hi Immy, no have not read that book, I don't have much spare time at all in my day to day life...I work many many long hours 6 days a week I find it hard to find to play my violin (IMG:style_emoticons/default/sad.gif) I have to go back to listen to my hypnotherapy CD though re: my low confidence, that did help me.... At one point I was going to 3 orchestras but have left it all behind, I was NOT enjoying it but rather found it got in the way, I did not have time to practice the orchestral stuff as all I want to/like to practice is my solo stuff from my lesson and when I go there I feel lost not knowing how to 'keep up' as I have not practiced. I find I cannot socialise as there is only a 15 mins tea break so what is the point? (IMG:style_emoticons/default/laugh.gif) and no, I don't find that the more you go the more you learn to 'catch up and play more' as I went for a year and I still could not 'catch up' I got tired of it! I will go back when I reach licentiate, until then I felt I was more tired then actually enjoying it (I do work nearly 60 hours a week though).... All good thoughts from Immy - Jojo, I have the book Immy recommends if you want it? It's all to easy to get into the 'oh, I sound rubbish' trap and hard to get out of, and for other people to convince you otherwise. I know when you are feeling this way probably the worst thing I could suggest is recording yourself, but you could try it with a resolve to ONLY hear/see the good parts (however small!), even make a list of the things you CAN do. You may surprise yourself.. AH! Miffy...I record myself very often! I actually 'video' myself a lot (you know this actually!!!) and I think it is a 'torture' more than anything else as I ALWAYS watch my videos like an 'hawk' ready to PICK at any mistake....going THERE THERE IT'S AWFUL, I KNEW I WAS GOING TO SOUND AWFUL LISTEN LISTEN I MUCKED IT UP AGAIN!! NO IT'S NOT RIGHT, NO NO IT'S SHARP IT'S FLAT, NO NO I GOT THAT WRONG, I WILL NEVER PLAY IT RIGHT THROUGHOUT Jo-Jo, what do I know about string playing, I'm only a singer, except when I went to college I had to rebuild my technique due to placing problems, and I was made to do this on Grade 8 + repertoire and not Nursery rhymes. It would have been better and easier to have done so using easier songs, so I could have worked on the passagi better and furthermore had my singing teacher at college not put a false ceiling on my voice, I would have had a better feeling for where the passagi actually were. So from this lesson, my suggestion is if you feel it is necessary to rebuild your bowing technique by going back to bowing patterns on open strings, then do it. You will soon be back playing the Bach Sonata. However you will be playing the Bach Sonata knowing you have consolidated your technique. I've had to do similar things with my oboe and with the piano as well as my singing so know it is worthwhile. You are not the first musician who has felt this way or even done this. I admire you for working this out for yourself rather than needing to be told. You have been flattered by those who have heard you play, and if their faith in you is justified (I think it just might) you will be the better player as a result. Good luck. However, remember, I am not a string player so what do I know! (IMG:style_emoticons/default/wink.gif) That is how I feel Jod.... (IMG:style_emoticons/default/smile.gif) but I think my teacher will say no (IMG:style_emoticons/default/sad.gif) I would like to hear these grade 5 pieces that JoJo plays so badly. I have recordings of me playing grade 5 pieces but it was 2 years ago, they are not recent, so I was even more HORRIBLE back then! (IMG:style_emoticons/default/rofl.gif) if I make you throw up your dinner these days then those recordings will make you go into an non shockable heart-rhythm!! (IMG:style_emoticons/default/rofl.gif) so which one do you want to hear? jojo 2 years ago playing grade 5 pieces or jojo now playing grade 5 pieces? |
| michael N |
Jan 4 2012, 11:28 PM
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#29
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Member ![]() ![]() Group: Members Posts: 93 Joined: 2-September 11 Member No.: 309573 |
Any, either, both. Doesn't really matter.
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| jojo |
Jan 4 2012, 11:32 PM
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#30
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 5198 Joined: 18-December 06 From: Member No.: 8716 |
Any, either, both. Doesn't really matter. Ok, this is jojo playing recently (on my birthday, last november) but I am playing a grade 7 to 8 piece (Playera by Sarasate) http://www.youtube.com/watch?v=McDKOiXP7cI the following is me 2 years ago practicing a grade 5 piece a month before my exam YOU ARE WARNED TO TURN YOUR VOLUME DOWN IT IS A LOUD VIDEO!!! (my goodness it was a bit bad!!! and I still hadn't learnt vibrato LOL (IMG:style_emoticons/default/laugh.gif)) http://www.youtube.com/watch?v=Bj02pAjhnDM and one last video which was taken during my practice last september (don't have a clue on difficulty of piece, sorry, it's the 'Dance of the Blessed Spirits' by Gluck transcription by Heifetz): http://www.youtube.com/watch?v=hzqf-8qwGZ8 |
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| Lo-Fi Version | Time is now: 24th May 2013 - 11:57 AM |