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| trudihiggins |
Jun 30 2004, 02:02 PM
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#1
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Someone must know why the certain countries (France being one) use do, ré, mi, fa etc and England (and other countries) use A, B, C which is the oldest - and why are there two different names that exist for notes ?
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| DavidMusic |
Jun 30 2004, 02:20 PM
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#2
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Err... seems like two slightly different questions to me |
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| maggiemay |
Jun 30 2004, 04:26 PM
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#3
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An 11th century monk (Guido d'Arrezzo) used a (then) familiar plainsong hymn
Ut Queant Laxis to help teach sight-singing. Each line or phrase of the hymn began one note higher than the line before (C, D E etc). The syllables 9ut, re, mi, fa, so, la) are the initial syllables of the first word of each line - although at some point ut became doh, and ti was added later (did not exist in the hymn). Bet Guido never suspected his system would be adapted into a song in a 20th century film !! Maggie |
| trudihiggins |
Jul 1 2004, 07:14 AM
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#4
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Thanks for that, Maggiemay, but do you know why the English did not use this 11th cen method ?
Trudi |
| maggiemay |
Jul 1 2004, 08:07 AM
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#5
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Well some English did - solfa was and still is used in some places.
But I guess you mean why it wasn't adopted wholesale, and on that I have no idea. When I was at school it was regarded as perhaps a little old-fashioned (how silly!) but things do go in cycles. Older song books that I remember using had sol-fa syllables printed above the stave. Haven't added much really -sorry not be of more help. Maggie |
| trudihiggins |
Jul 1 2004, 12:16 PM
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#6
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This posting has been deleted by the forums moderator
This post has been edited by CMORRIS: Jul 7 2004, 09:31 AM |
| DavidMusic |
Jul 3 2004, 01:29 AM
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#7
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This posting has been deleted by the forums moderator
This post has been edited by CMORRIS: Jul 7 2004, 09:30 AM |
| trudihiggins |
Jul 5 2004, 09:44 AM
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#8
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dear davidmusic
please accept my sincere apologies. sometimes life just doesn't go the way you plan it and small things become out of proportion. I will endeavor (have I spelt that right ?) to remain civil and behave myself Yours Trudi |
| DavidMusic |
Jul 5 2004, 01:50 PM
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#9
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Thank You
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| Mrs Beethoven |
Jul 6 2004, 08:47 AM
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#10
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... If you have a good knowledge and understanding on a subject then impart your knowledge in an informative way without being condescending.
(This posting has been pruned by the forums moderator) This post has been edited by CMORRIS: Jul 7 2004, 09:28 AM |
| trudihiggins |
Jul 6 2004, 09:27 AM
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#11
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This posting has been deleted by the forums moderator
This post has been edited by CMORRIS: Jul 7 2004, 09:29 AM |
| DavidMusic |
Jul 6 2004, 09:19 PM
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#12
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This posting has been deleted by the forums moderator.
This post has been edited by CMORRIS: Jul 7 2004, 09:28 AM |
| CMORRIS |
Jul 7 2004, 09:26 AM
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#13
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Can I please remind ALL forums users of the moderators message pinned at the beginning of this forum which reads:
"Please remain polite - the moderator has the right to ban users who abuse the forums" Please therefore could everybody remain civil, stick to the topic of the discussion thread and post constructive responses to other users postings. Any postings that could be construed as insulting towards another forums user will be removed and the author of each posting cautioned. If you feel another users postings to be inappropriate, please go through the correct channels and report it to a forums moderator. Regards Christine Morris Forums Administration |
| Mrs Beethoven |
Jul 7 2004, 12:11 PM
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#14
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maggiemay perhaps you might know the answer to something that has puzzled me for ages. I understand doh re me etc but what do you call the note of the scale if you want to raise / lower by a semitone . ie if in key of c major what is f# called?
Thanking you in anticipation. |
| trudihiggins |
Jul 7 2004, 12:34 PM
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#15
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Mrs Beethoven
In France we use bémol for flat and dièse for sharp so Bb becomes si bémol and G sharp becomes sol dièse, a G natural would be sol bécarre, the only problem is when the chef d'orchestre says"go back to the Si " and you automatically (when French is not your native language) think of C and not B, fortunately most of the chef d'orchestres I play with shout out one note for the orchestre and then " that's C sharp for you Trudi"! |
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