Writing A Melody Line

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Writing A Melody Line

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saxman	Jan 22 2007, 10:21 PM Post #1
Newbie Group: Members Posts: 14 Joined: 13-January 07 Member No.: 9031	I'm just writing my second composition for GCSE music and it's progressing somewhat quicker than my first as I can actually read music now. I've kept it basic for the piano part as i don't really play and just stuck to a basic chord sequence but i have no idea how to write the alto sax line. I want to make it as difficult as i can play (around G4). I know that i'll have to transpose it but I am really at a loose end. Any suggestions would be much appreciated. (IMG:style_emoticons/default/biggrin.gif)

nic	Jan 22 2007, 10:30 PM Post #2
Advanced Member Group: Members Posts: 600 Joined: 26-October 06 Member No.: 8081	Hi saxman, Before focussing on trying to make the sax line Gr4 standard, I'd work out a simple framework for the melody, and add embellishments later. Start with chordal tones, work out if you want the melody to ascend or descend, etc then add in passing notes, vary the rhythm, and so on. Hope this is somewhat helpful! Good luck with it! (IMG:style_emoticons/default/smile.gif)

sneekymum	Jan 22 2007, 11:04 PM Post #3
Advanced Member Group: Members Posts: 869 Joined: 18-May 06 Member No.: 6958	It might help to fit some disposable words to it - no matter how stupid - a melody can often spring up in that way.

jonscott14	Jan 26 2007, 09:49 PM Post #4
Prodigy Group: Members Posts: 1560 Joined: 14-December 04 From: Bratton, Wiltshire, England, UK Member No.: 2732	keep with your chords, aim to play a note from the chord in the melody when they are struck on the piano. Perhaps, start with placing notes in key places, the begining of the melody will need to be easy to play as a first note, so chose the easiest note of the first chord and begin your melody on this - you may want to chose the tonic at the easiest octave to give you peice a sense of beginning. Next find the chord you consider to be in the middle/climax of your peice and choose a nice play able note for this chord. The go to the end, and use the tonic (again at a comfortable octave) of the final chord to make the peice sound complete. After this, find key points in your chord sequence and put notes to these chords. The join all these key notes up. Remember, you dont have to use notes that are in the chords, passing notes and dissonance are just as effective as an entirely tonal melody. Hope you can translate some of this and that it helps. Jonathan

Kai-Lei	Jan 26 2007, 10:07 PM Post #5
Advanced Member Group: Members Posts: 174 Joined: 27-September 05 Member No.: 4809	Can you post what you've done here? Kai.

saxman	Jan 27 2007, 11:27 PM Post #6
Newbie Group: Members Posts: 14 Joined: 13-January 07 Member No.: 9031	QUOTE(Kai-Lei @ Jan 26 2007, 10:07 PM) Can you post what you've done here? Kai. I would but I'm not exactly sure how. I have it all on subelius Thanks to every one else for your help, although i haven't got round to starting the melody line yet

magicflute	Feb 16 2007, 03:59 PM Post #7
Advanced Member Group: Members Posts: 710 Joined: 18-January 07 From: Cornwall Member No.: 9114	why don't you play the piano part from sibelius and improvise the chords on your sax. Eventually you'll feel more confident and will develop a melody!

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