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FORUMS RULES - A SNAPSHOT
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| Maizie |
Dec 24 2009, 09:01 AM
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#1006
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 4862 Joined: 5-February 07 From: Bishop's Stortford, Hertfordshire Member No.: 9360 |
Thank you, thank you, thank you!
(Even weirder, you were in a dream I had last night, with a non-mutant contrabass [and a lot of other intimidatingly good recorder players, but you were the only one I recognised!]) |
| sarah123 |
Jan 5 2010, 02:28 PM
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#1007
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 6484 Joined: 27-July 07 From: Cambridge Member No.: 13655 |
I'm looking for duet music. Something probably grade 6ish or above would be good and for any combination of descants, trebles or tenors, preferably unaccompanied. I already have a lot of Telemann stuff, Staeps Reihe kleiner Duette, some by Genzmer and various odds and ends by other people. Does anyone have any ideas?
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| Maizie |
Jan 5 2010, 02:52 PM
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#1008
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 4862 Joined: 5-February 07 From: Bishop's Stortford, Hertfordshire Member No.: 9360 |
French Baroque Duets for two trebles - don't know the exact grading but 'confusingly difficult if you pay attention to all those weird French squggles' is how I'd classify it (I'm G5ish)
Here is a link to the publisher's site, I think I ended up buying my copy on eBay. |
| andante_in_c |
Jan 7 2010, 04:35 PM
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#1009
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Maestro ![]() ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 10324 Joined: 15-November 03 From: Hampshire, UK Member No.: 130 |
I've booked a recorder lesson. (IMG:style_emoticons/default/ohmy.gif) Fortunately when I booked it at the beginning of this week I had the foresight to suggest Monday 18th rather than Monday 11th - I'm hoping the snow will have eased by then, as I have an hour's drive. (IMG:style_emoticons/default/fingersCrossed.gif)
This will be my second individual lesson - ever. (IMG:style_emoticons/default/biggrin.gif) |
| anacrusis |
Jan 7 2010, 06:41 PM
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#1010
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 5241 Joined: 1-October 05 From: Edinburgh, Scotland Member No.: 4852 |
Thank you, thank you, thank you! (Even weirder, you were in a dream I had last night, with a non-mutant contrabass [and a lot of other intimidatingly good recorder players, but you were the only one I recognised!]) (IMG:style_emoticons/default/ohmy.gif) only just found that.... *is definitely not intimidatingly good, so there (IMG:style_emoticons/default/wink.gif)* French baroque duets sound like a lovely idea, and the frills and twiddles are daunting to look at but sooo elegant when you learn how to pull them off (IMG:style_emoticons/default/wub.gif). Andante - all the best for your lesson (not that you need any (IMG:style_emoticons/default/wink.gif)), and I hope you have lots of fun in it. I'm hurriedly knitting my current pair of socks so that I can finish and start on a balaclava for the borrowed Paetzold, or maybe for the Küng bass, for the next recorder orchestra meeting...I've a feeling they may become necessary (IMG:style_emoticons/default/ohmy.gif) (IMG:style_emoticons/default/winter_brr.gif) |
| andante_in_c |
Jan 18 2010, 07:41 PM
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#1011
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Maestro ![]() ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 10324 Joined: 15-November 03 From: Hampshire, UK Member No.: 130 |
Well, I've had the lesson and have lots to practise: some new alternative fingerings for dynamic changes and I'll have to dig out my copy of Quantz and read up on ornamentation as I tend to stick to the same ideas. I've booked another lesson for a fortnight's time so will have to get something done before then. (IMG:style_emoticons/default/ph34r.gif)
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| notmusimum |
Jan 18 2010, 10:07 PM
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#1012
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Maestro ![]() ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 8357 Joined: 23-January 06 Member No.: 5959 |
Well, I've had the lesson and have lots to practise: some new alternative fingerings for dynamic changes and I'll have to dig out my copy of Quantz and read up on ornamentation as I tend to stick to the same ideas. I've booked another lesson for a fortnight's time so will have to get something done before then. (IMG:style_emoticons/default/ph34r.gif) Sounds like you had a good lesson (IMG:style_emoticons/default/biggrin.gif) Emsoboe has been learning about tonging and how to switch between harsher and softer sounds. there is just so much to learn on Recorder. |
| andante_in_c |
Feb 17 2010, 08:14 PM
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#1013
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Maestro ![]() ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 10324 Joined: 15-November 03 From: Hampshire, UK Member No.: 130 |
Gosh! This thread has gone quiet - no posts for a month. (IMG:style_emoticons/default/ohmy.gif)
Anyway, bringing it back up to say I bought a new recorder today - a Moeck Stanesby treble in boxwood. It was on my longlist, but I was very surprised it was the one I ended up with, and that there was very little competition: we got it down to that one or the Marsyas in boxwood. So a few difficult weeks of not playing it too much, but hopefully it should be played in by the time I go on the Easter Early music course in Ascot at the end of March. (IMG:style_emoticons/default/smile.gif) |
| anacrusis |
Feb 17 2010, 09:57 PM
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#1014
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 5241 Joined: 1-October 05 From: Edinburgh, Scotland Member No.: 4852 |
Ooh fabby, andante_in_c - have fun playing in your new treasure. What's the sound like, so far?
I'm recordering for a few days, playing at full stretch, concentration-wise, and thoroughly enjoying myself - have managed to get a toot on Edgar Hunt's former Great Bass, and am now only getting lost about five times per piece (IMG:style_emoticons/default/woot.gif). |
| andante_in_c |
Feb 17 2010, 10:37 PM
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#1015
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Maestro ![]() ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 10324 Joined: 15-November 03 From: Hampshire, UK Member No.: 130 |
Ooh fabby, andante_in_c - have fun playing in your new treasure. What's the sound like, so far? I'm recordering for a few days, playing at full stretch, concentration-wise, and thoroughly enjoying myself - have managed to get a toot on Edgar Hunt's former Great Bass, and am now only getting lost about five times per piece (IMG:style_emoticons/default/woot.gif). Glad things are going well. (IMG:style_emoticons/default/smile.gif) I'm not good at describing sounds, but it is very full and pleasant, and very consistent across the instrument. A bit less in-your-face than my olivewood. (IMG:style_emoticons/default/wink.gif) |
| willobie |
Feb 17 2010, 10:44 PM
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#1016
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 2574 Joined: 9-July 05 From: Nottinghamshire Member No.: 4110 |
Ooh fabby, andante_in_c - have fun playing in your new treasure. What's the sound like, so far? I'm recordering for a few days, playing at full stretch, concentration-wise, and thoroughly enjoying myself - have managed to get a toot on Edgar Hunt's former Great Bass, and am now only getting lost about five times per piece (IMG:style_emoticons/default/woot.gif). Glad things are going well. (IMG:style_emoticons/default/smile.gif) I'm not good at describing sounds, but it is very full and pleasant, and very consistent across the instrument. A bit less in-your-face than my olivewood. (IMG:style_emoticons/default/wink.gif) Box is best! W (IMG:style_emoticons/default/tongue.gif) |
| Maizie |
Feb 18 2010, 08:41 AM
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#1017
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 4862 Joined: 5-February 07 From: Bishop's Stortford, Hertfordshire Member No.: 9360 |
Sounds lovely andante_in_c - I have the Moeck Denner boxwood treble. One of the real points against the Stanesby that I was trying at the early music festival was that the top joint was loose and felt wobbly, which is probably not a good reason as they could doubtless have found a complete one hidden elsewhere in the room!
I'm gald I'm not the only one who can't descirbe sounds very well (IMG:style_emoticons/default/blush.gif) The other day my Denner fogged up a bit so I swapped over to use my Kung Studio Cherrywood treble instead, and the difference in sound (and feel) was enormous...but I couldn't put it in to words beyond 'well that one's feebler' (IMG:style_emoticons/default/rolleyes.gif) |
| barry-clari |
Feb 18 2010, 09:00 AM
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#1018
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Maestro ![]() ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 40656 Joined: 10-January 06 From: South East London Member No.: 5804 |
So a few difficult weeks of not playing it too much, but hopefully it should be played in by the time I go on the Easter Early music course in Ascot at the end of March. (IMG:style_emoticons/default/smile.gif) I'll get there one year, once again this year's clashes with the end of my teaching this term, so was a non-starter (IMG:style_emoticons/default/sad.gif) |
| sarah123 |
Feb 18 2010, 05:20 PM
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#1019
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Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 6484 Joined: 27-July 07 From: Cambridge Member No.: 13655 |
Hi, sorry I haven't been around recently, I've been just a little bit busy and haven't had much time for music let alone the forums. (IMG:style_emoticons/default/sad.gif)
I've just been given a Sammartini duet to learn (D major, op 6/1), which is (presumably - it doesn't actually say anywhere but goes down too low to be treble) for descant and has loads of top C sharps in all over the place. While I can just about manage the odd F sharp on a treble, I can't see how it's physically possible to play the equivalent on a descant without either sitting down or falling over. Am I missing something here or am I just going to have to do an insane amount of balancing practise? Thanks, Sarah (IMG:style_emoticons/default/smile.gif) |
| andante_in_c |
Feb 18 2010, 06:18 PM
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#1020
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Maestro ![]() ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 10324 Joined: 15-November 03 From: Hampshire, UK Member No.: 130 |
Hi, sorry I haven't been around recently, I've been just a little bit busy and haven't had much time for music let alone the forums. (IMG:style_emoticons/default/sad.gif) I've just been given a Sammartini duet to learn (D major, op 6/1), which is (presumably - it doesn't actually say anywhere but goes down too low to be treble) for descant and has loads of top C sharps in all over the place. While I can just about manage the odd F sharp on a treble, I can't see how it's physically possible to play the equivalent on a descant without either sitting down or falling over. Am I missing something here or am I just going to have to do an insane amount of balancing practise? Thanks, Sarah (IMG:style_emoticons/default/smile.gif) Try the 013467 fingering (with split thumb and possibly half-hole 7). Depending on the recorder you may well get a decent top C# with this fingering. |
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