In your basket: 0 items totalling £0
A shortened version of the Forums Rules is given below. The full version can be found here.
By maintaining a user account and by posting to these forums, you hereby agree to abide by these rules.
FORUMS RULES - A SNAPSHOT
- Stay safe - protect your privacy and respect the privacy of others
- No abusive, offensive or aggressive postings
- No insults or personal attacks
- No foul language
- No trolling
- No inappropriate or illegal material
- No advertising (including "For Sale" or "Wanted" adverts)
- No crossposting
- No forum spamming
- No defamatory comments
- Avoid using jargon, abbreviations or "text talk"
![]() ![]() |
| sarah123 |
Jun 29 2009, 04:02 PM
Post
#1
|
|
Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 6419 Joined: 27-July 07 From: Durham Member No.: 13655 |
I've been having a sight read through it and came across something rather strange. On the second page of Norwegian Bridal Procession (op.19 no.2, piece no 22 in the book), the middle three lines have RH in bass clef and LH in treble with the RH going all the way down to B below the bass clef stave and the LH staying around the octave above middle C. Is it meant to be like that or have they got the lines the wrong way up/wrong clefs/octave etc? It just seems a bit of a ridiculous way to play it. (IMG:style_emoticons/default/wacko.gif)
|
| piano*cello*sax*boy |
Jun 29 2009, 06:23 PM
Post
#2
|
|
Advanced Member ![]() ![]() ![]() Group: Members Posts: 335 Joined: 21-July 08 From: South Wales Member No.: 35662 |
Don't know this particular piece, but I have something very similar in a piece of beethoven I am learning, and I think its a bit stupid.
If it's playable it is probably meant to be like it, however odd it may seem. |
| jacobpianofluteorgan |
Jun 29 2009, 06:47 PM
Post
#3
|
|
Advanced Member ![]() ![]() ![]() Group: Members Posts: 583 Joined: 12-July 07 Member No.: 13092 |
I've been having a sight read through it and came across something rather strange. On the second page of Norwegian Bridal Procession (op.19 no.2, piece no 22 in the book), the middle three lines have RH in bass clef and LH in treble with the RH going all the way down to B below the bass clef stave and the LH staying around the octave above middle C. Is it meant to be like that or have they got the lines the wrong way up/wrong clefs/octave etc? It just seems a bit of a ridiculous way to play it. (IMG:style_emoticons/default/wacko.gif) Could you be specific about which line and which bar or anything, because I'm rather confused as to what the problem is!? (IMG:style_emoticons/default/wacko.gif) If you mean in the first bar on page 22, where it says m.d in the 2nd stave down, I would ignore it and play the two treble clefs with your right, and stick to LH playing the bass, if that makes sense. I might be on about something completely different though! (IMG:style_emoticons/default/tongue.gif) (IMG:style_emoticons/default/unsure.gif) The m.d seems rather silly though, if thats what you mean, it doesn't make things easy for yourself! Jacob. (IMG:style_emoticons/default/smile.gif) |
| Chopinzee |
Jun 29 2009, 07:15 PM
Post
#4
|
|
Advanced Member ![]() ![]() ![]() Group: Members Posts: 324 Joined: 2-April 07 Member No.: 10486 |
I have the Dover book which is from the original Peters Edition, but as i'm on holiday, i can't check for a few days to see if it's the same. It probably is . Though, I would say that it's best to play the way that suits you, redistribute at leisure....if it makes things easier, sometimes it's a matter of necessity. Was thinking of learning the third piece from Pictures of Everyday Life.
|
| sarah123 |
Jun 29 2009, 07:38 PM
Post
#5
|
|
Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 6419 Joined: 27-July 07 From: Durham Member No.: 13655 |
Sorry, I should have said the bars before, it's the whole of bars 21-28.
|
| jacobpianofluteorgan |
Jun 29 2009, 08:43 PM
Post
#6
|
|
Advanced Member ![]() ![]() ![]() Group: Members Posts: 583 Joined: 12-July 07 Member No.: 13092 |
Sorry, I should have said the bars before, it's the whole of bars 21-28. Ooops! (IMG:style_emoticons/default/ph34r.gif) I've just realised I was looking at PAGE 22, not PIECE 22! It makes A lot more sense looking at PIECE no. 22! (IMG:style_emoticons/default/blush.gif) I've always just played the Treble Clef line with LH, and Bass clef with RH, with my RH crossing over my LH. It's a weird way of setting it out, I agree! I think it's meant to be like that, but it isn't very clear, and they don't give many hints as to how it should be played! Jacob. (IMG:style_emoticons/default/blush.gif) |
| fsharpminor |
Jun 29 2009, 09:35 PM
Post
#7
|
|
Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 5642 Joined: 7-June 06 From: Heswall, Wirral (originally Keighley, Yorks) Member No.: 7089 |
There's nothing wrong with the score !
|
| jacobpianofluteorgan |
Jun 29 2009, 09:48 PM
Post
#8
|
|
Advanced Member ![]() ![]() ![]() Group: Members Posts: 583 Joined: 12-July 07 Member No.: 13092 |
There's nothing wrong with the score ! It's really unclear! (IMG:style_emoticons/default/laugh.gif) (IMG:style_emoticons/default/dry.gif) Jacob. (IMG:style_emoticons/default/smile.gif) |
| sarah123 |
Jun 29 2009, 09:50 PM
Post
#9
|
|
Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 6419 Joined: 27-July 07 From: Durham Member No.: 13655 |
Thanks, all (IMG:style_emoticons/default/smile.gif)
|
![]() ![]() |
| Lo-Fi Version | Time is now: 22nd November 2009 - 05:26 AM |