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programme, Clarinet Dip.

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tenor-sax	Mar 20 2011, 06:13 PM Post #1
Newbie Group: Members Posts: 43 Joined: 24-September 10 Member No.: 132548	For my diploma programme, i have been planning to do Brahms clarinet concerto in Eb Crussell Concerto no.2 in F minor Rossini Introduction, theme and variations. yes they are all romantic periodic music, but they are all very different, if this was justified and compared in the programme notes is this a good idea or is a more balanced programme of a few styles a better option? cheers for any responses, theyre much appreciated!

barry-clari	Mar 20 2011, 07:16 PM Post #2
Maestro Group: Members Posts: 40575 Joined: 10-January 06 From: South East London Member No.: 5804	QUOTE(tenor-sax @ Mar 20 2011, 06:13 PM) For my diploma programme, i have been planning to do Brahms clarinet concerto in Eb Crussell Concerto no.2 in F minor Rossini Introduction, theme and variations. yes they are all romantic periodic music, but they are all very different, if this was justified and compared in the programme notes is this a good idea or is a more balanced programme of a few styles a better option? cheers for any responses, theyre much appreciated! I'm doing ATCL in December, with a more diverse programme, period wise. I don't think I'd do all three of those pieces, regardless of justifying them in the programme notes : I'd certainly be thinking of playing at least one 20th century work, for starters.

tenor-sax	Mar 20 2011, 08:28 PM Post #3
Newbie Group: Members Posts: 43 Joined: 24-September 10 Member No.: 132548	ive only just changed to the crusell, before i have been preparing horovitz but it had a lot of challenges, thatd probably be a better choice then?

barry-clari	Mar 21 2011, 08:18 PM Post #4
Maestro Group: Members Posts: 40575 Joined: 10-January 06 From: South East London Member No.: 5804	QUOTE(tenor-sax @ Mar 20 2011, 08:28 PM) ive only just changed to the crusell, before i have been preparing horovitz but it had a lot of challenges, thatd probably be a better choice then? For balance, I'd say yes. (IMG:style_emoticons/default/smile.gif) The Crusell and Rossini were both written within 5 years or so of each other, and though the Brahms is 1890s, it leans much more towards Romanticism than 20th century styling.

jod	Apr 1 2011, 03:32 PM Post #5
Maestro Group: Banned Posts: 9899 Joined: 14-January 05 From: Burwell, Cambridgeshire Member No.: 2939	Much as wearing my I'm going to a concert hat, I'd love to listen to this programme, my inner woodwind player is saying Crusell concerto great, why no French stuff, why no Twentieth Century. This is rather samey in the range of Clarinet music. I am not stating it does not bring different technical challenges, but if I built an Oboe programme that had both the Saint Saens and the Poulenc Sonata (especially if I put something else that is French in) without maybe considering the Hindemith or some Bach or the Lennox Berkley Sonatina or some Albinoni, I'd be equally guilty and yet the Saint Saens and the Poulenc contain very different challenges too.

Clari_notts	Apr 2 2011, 06:18 PM Post #6
Member Group: Members Posts: 97 Joined: 5-May 10 From: Nottingham Member No.: 100930	Horowitz, Brahms and Rossini would be a great combo. You definitely need a good mix of styles / periods and tempi without this you will get marked down for not showing variety in style.

Deborah	Apr 3 2011, 12:30 PM Post #7
Virtuoso Group: Members Posts: 5624 Joined: 16-December 04 From: Monsalvat, Valhalla Member No.: 2747	QUOTE(Clari_notts @ Apr 2 2011, 06:18 PM) Horowitz, Brahms and Rossini would be a great combo. Horowitz, Brahms and Rossini would also require a demon accompanist! Then again, so does most of the Dip repertoire (IMG:style_emoticons/default/unsure.gif) From your original programme of Brahms, Crussell and Rossini, I agree with the other suggestions of replacing either the Crussell or Rossini with something more modern. And are you sure you mean the second Brahms concerto? (IMG:style_emoticons/default/wink.gif) I've posted it dozens of times around this place, but might as well again mention my Dip programme - Finzi Bagatelles, Saint-Saens Sonata and Weber Grand Duo Concertant; one briefly-considered programme included the Hindemith sonata with either the Weber Concertino or the Rossini Variations.

barry-clari	Apr 3 2011, 04:48 PM Post #8
Maestro Group: Members Posts: 40575 Joined: 10-January 06 From: South East London Member No.: 5804	QUOTE(jod @ Apr 1 2011, 04:32 PM) Much as wearing my I'm going to a concert hat, I'd love to listen to this programme, my inner woodwind player is saying Crusell concerto great, why no French stuff, why no Twentieth Century. My dip. programme for December lacks any French content, but I think I'll be diverse enough with Brahms, Stanford and Leonard Bernstein (IMG:style_emoticons/default/yay.gif)

tenor-sax	Apr 9 2011, 03:04 PM Post #9
Newbie Group: Members Posts: 43 Joined: 24-September 10 Member No.: 132548	hey, i have been for a while now planning on playing the finzi bagatelles, rossini and brahms. i have much love for these (IMG:style_emoticons/default/smile.gif) hope this seems somewhat more balanced?

barry-clari	Apr 12 2011, 12:25 PM Post #10
Maestro Group: Members Posts: 40575 Joined: 10-January 06 From: South East London Member No.: 5804	QUOTE(tenor-sax @ Apr 9 2011, 04:04 PM) hey, i have been for a while now planning on playing the finzi bagatelles, rossini and brahms. i have much love for these (IMG:style_emoticons/default/smile.gif) hope this seems somewhat more balanced? It does (IMG:style_emoticons/default/smile.gif) Not at all an easy programme though! I wish you all the best (IMG:style_emoticons/default/smile.gif)

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