A shortened version of the Forums Rules is given below. The full version can be found here.
By maintaining a user account and by posting to these forums, you hereby agree to abide by these rules.
FORUMS RULES - A SNAPSHOT
- Stay safe - protect your privacy and respect the privacy of others
- No abusive, offensive or aggressive postings
- No insults or personal attacks
- No foul language
- No trolling
- No inappropriate or illegal material
- No advertising (including "For Sale" or "Wanted" adverts)
- No crossposting
- No forum spamming
- No defamatory comments
- Avoid using jargon, abbreviations or "text talk"
![]() ![]() |
| linda.ff |
Sep 23 2011, 11:40 AM
Post
#16
|
|
Virtuoso ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 2855 Joined: 4-January 11 Member No.: 183500 |
I don't think it matters how you write the scale! AB seem to accept almost any reasonable version, providing, as has already been said, that there are either one or two notes on each step. After all, what is a scale? Either it's a flourish in the middle of a piece, in which case you just need to write it so that the player can make sense of it easily, or it's a kind of inventory of notes to be used in that key; isolated chromatic notes in a piece of music don't come from some pre-ordained scale, they come from the context, which is why so many beginner books have a bluesy piece which uses an E-D#-E pattern on one line, and an Eb-D-Eb pattern on the next - because in the first instance that same key on the piano is, melodically, clearly the note below E, and has to look like it, and in the second it is the note above D, and has to look like it.
Really don't lose much sleep over the chormatic sclae. Not more than two notes per letter, and avoiding causing naturals or white sharps/flats should sort it. |
![]() ![]() |
| Lo-Fi Version | Time is now: 23rd May 2013 - 10:02 PM |