QUOTE(violincjj @ Dec 14 2011, 05:07 PM)

QUOTE(Cyrilla @ Dec 11 2011, 10:48 AM)

QUOTE(MNW @ Dec 10 2011, 11:30 PM)

My problem is not knowing if I am singing in the right key. I can't tell if I'm singing too high or too low. Most of the time I'm told that I am singing correctly but in the back of my mind I worry it's the wrong key and I simply can't tell if it's right or not.
Some Kodaly work would help here, I think..

Well I know she can find the tonic reliably

Don't tell me it is in the fridge and goes well with the gin.
For vocal inconsistency a teacher who uses solfege can even out inconsistencies and wandering tonal centres is a a good idea. There are lots of ideas in the Kodaly tool box and in a that are useful for ear training.
I have a tenor who faces similar problems and the first tool I deployed was solfege and applying it to exercises.
Cyrilla is the Kodaly expert. We have a mutual friend who has introduced me to a lot of his ideas and the ones that work in various situations I use as he was certainly a wise man.
Every teacher however when they look at an over all pedagogy has to look the rationale behind it and how they think and work and how each situation presents its self. This is why Cyrilla and Bagpuss will talk about a tool-kit.
I think a singer that subscribes to Kodaly's ideas would suit you best as that way your technique can be worked on at the same time. I'm sure Cyrilla would know someone in your area.