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fizzyorange
Are there any good, comprehensive books that would give me a grounding in kodaly technique? I am hoping to incorporate the techniques into lessons, but still use traditional learning techniques too, so not looking for a wholesale approach. I am an instrumental teacher, teaching one to one.

Would be interested to hear from anyone who does this, and what works well etc.
barry-clari
QUOTE(fizzyorange @ Jun 27 2012, 09:47 AM) *

Are there any good, comprehensive books that would give me a grounding in kodaly technique? I am hoping to incorporate the techniques into lessons, but still use traditional learning techniques too, so not looking for a wholesale approach. I am an instrumental teacher, teaching one to one.

Would be interested to hear from anyone who does this, and what works well etc.

Lots of decent books out there, but this, in my opinion, is one of those subjects you can't really do on your own effectively if you haven't done any Kodaly training before : if you can find an expert to guide you, you'll do a whole lot better. smile.gif
ExpressYourself
I have three books.

Songs for singing &​ musicianship training by David Vinden and Yuko Vinden smile.gif
This is an excellent reference book and has lots of songs in it slowly increasing in complexity

Jolly Music for Beginners by Cyrilla Rowsell (our very own forumite) and David Vinden smile.gif
This book is a comprehensive classroom scheme for Early years and KS1 classes. Although I've used it to good effect with pre-schoolers. The songs in this book are also contained in the first book I mentioned but in this book they've been made into a full scheme of work with detailed lesson plans. It also has CDs. I love it and think it's great but it's not the best resource for learning about Kodaly yourself since each book only covers a small amount of content. However it's great for identifying creative ways to be repetitive with the skills and information.

Go for Bronze/Go for Silver/Go for Gold wub.gif
I have the teachers books and the student books for these and they're great. Aimed at children aged 7 up. Again they make up a scheme of work aimed at singers and are a great way to teach singers how to read music. They're split into lessons and each lesson has a double page spread in both the student book and the teacher book. The teacher book has a picture of the lesson book page and is surrounded by teaching tips. If you were learning yourself then you could either get the teacher book (expensive) with the full explanations, or get a student book (cheap) and take an educated guess.

I haven't done a Kodaly course but I'm sure that Barry is right and the best way to learn is to do a course. It's just I can't spare the time at the moment. Personally I'm finding the Go for Bronze series the best for my own development right now. But I'm glad I have all three of the books mentioned above because I do dip into all of them from time to time. My singing students are loving the Go for Bronze series and I'm trying to adapt it for my piano students too.

Plus of course a PM to Cyrilla is enlightening. wub.gif
PianoNotes
agree.gif agree.gif
QUOTE(barry-clari @ Jun 27 2012, 09:49 AM) *

QUOTE(fizzyorange @ Jun 27 2012, 09:47 AM) *

Are there any good, comprehensive books that would give me a grounding in kodaly technique? I am hoping to incorporate the techniques into lessons, but still use traditional learning techniques too, so not looking for a wholesale approach. I am an instrumental teacher, teaching one to one.

Would be interested to hear from anyone who does this, and what works well etc.

Lots of decent books out there, but this, in my opinion, is one of those subjects you can't really do on your own effectively if you haven't done any Kodaly training before : if you can find an expert to guide you, you'll do a whole lot better. smile.gif


I have Music in PreSchool, which is Kodaly based for children of that age, but until I did one or two workshops and undertook a training course, it was not really possible to use this book effectively.
Louise H
I have to agree with all of the above. You can read about Kodaly to some extent to understand the principles but you do need to see it applied in practice.
fizzyorange
Thanks for the comments. I had a feeling your replies might say I'd need to do a course to really get to grips with it. I will investigate further.

I am trying to incorporate more variety into my lessons, including more things along the lines of the Practical Musicianship syllabus, and thought that the sol-fa and Kodaly approaches might complement more traditional aural skills.

It's so difficult to fit everything into a short lesson, but i want the things I do do each week to have a better effect on musical development, and be more fun/inspiring, but also easily understood (i.e. not just a pleasant diversion that gets forgotten once the child gets home). Need to stop the usual note-grinding and nagging about posture dominating the lessons too!
JudithJ
If you are unable to find a suitable course, you might find it useful to observe some lessons. The lessons that I observed in Hungary were just as useful as the methodology classes.
fizzyorange
Thanks Judith.
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