I have had several opportunities to perform a euphonium duet. There are three duets that I have written and performed in public. All go over well with the audience. It is a little challenging to write properly. Because both instruments are mellow and in a low register, careless writing can result in a "muddy" sound. One also has to remember that the clarity of technique on the euphonium is not as easily heard as on cornet.
Liebesfreud and the Aria-Duet were not too difficult in this respect. Both were in a good enough range and the technique was suitable for two euphoniums. The Aria-Duet had duet parts that fit two euphoniums perfectly, so very little adjustment was necessary. However, Liebesfreud was for violin originally. This supplied a few natural harmonies because of the double-stops written in places. In other places, where I wanted more of a counterpoint, I moved notes from the piano into the second euphonium part. This actually created a very satisfying effect. The counterpoint in euphonium instead of piano gives a nice blend and makes the counterpoint more melodic.
The Mantia was a little more difficult. It was originally written as euphonium solo, so I had a find starting point. The difficulty here was in creating the counterpoint and harmonies, while keeping the flavor of the well-known solo version. I was inspired to do this after hearing the Childs Brothers for the first time.
Liebesfreud by Fritz Kriesler (to be published soon by:
Cimarron Music PressBach Aria Duet from Cantata 78, published by Cimarron Music Press, available with
Piano or
Wind Band accompaniment.
Endearing Young Charms by Mantia, published by Cimarron Music Press, available with
Wind Band AccompanimentThe Mantia should soon be available as duet with piano as well.