QUOTE(jackory @ Dec 10 2005, 01:33 PM)

We were both wondering if anyone can give us information or advice on the types of questions that are asked in the aural section of the exam. Obviously my son has been practicing aurals with his teacher, but it would be nice to hear from someone who has just been through the exam as to the sort of questions that are asked about the music/styles/composers etc.
Did mine almost a week ago. Here's how it worked for me:
Exercise 1: Played the 3 part phrase twice, which I sang back, he said I would be allowed a 2nd attempt if needed. Played the full phrase twice more, I named the cadence. Played the full phrase once more, pausing after each of the final 4 chords, asking for the chords (either in Ia, Vb etc, or tonic, dominant in first inversion etc).
Exercise 2: Singing from sight. He gave me a good couple of minutes to look through it, played the starting note and chord and indicated the tempo before I started looking at it, it was 8 bars long. Was very clear about instructions here, said I would be allowed a 2nd attempt if needed. This was MUCH easier than any practice examples I have tried.
Exercise 3: Modulation. He said he would not repeat either of the modulations. I was not expecting this at all, but I was asked to name the actual key (as in G minor, E major) which it modulated to, as well as subdominant, dominant etc. Make sure your son is 100% happy with both ways of stating the new key!
Exercise 4: This was actually really fun! I had a Renaissance piece, and he asked me to just talk about it. Basically, I went through the interesting features (ornamentation, imitation, dynamics, tempo, range, rubato etc) and stated why each feature made me think the piece was in a certain period. Then he asked me about the original instrumentation and why I thought that, and for a possible composer. The hardest thing was remembering all the things I had heard, not a lack of things to say.
I hope this is useful. If you have any other questions, don't hesitate to PM me or post a reply.