QUOTE(hornplayer @ Jan 4 2006, 05:24 PM)

There's a book called "The Inner Game of Music" by Timothy Green, which offers advice on nervousness in a musical content.
My favourite idea is to pretend that it's not you that's performing, but you're favourite performer (for me Dennis Brain), and as that performer is so good, they would never be nervous and would just enjoy the music.
Plus as I'm a girl, pretending to be a tall 30something man from the 50s is quite funny! Well, at least IMHO.
Hope that might help, your local library should have it somewhere.
hornplayer
I use idea from the Timothy Green book plus some advice from Carola Grindea in her "Tensions in the Performance of Music" book. One of the best bits of advice which really helped about half-way through a concert when I was about to go back on and perform pieces which were a little touch-and-go memorywise was "Allow yourself to fail". Ask yourself "What is the worst thing that could happen?"
So of course, I started thinking "Well the worst thing that could happen is my memory goes so completely that I have to stand up, smile sweetly, crack a joke about how my memory's not quite what it used to be, go off and fetch my music and ask very nicely if there's someone in the audience who could maybe turn pages for me......." No big deal! So armed with that safety-net I went on.............................and played the pieces the absolute best they'd ever been played!!!

It's giving yourself the permission which actually releases you to some extent in your playing.
Also when practising I often imagine characters, film scenes, made up stories (made up by me) etc to fit the music and to help me get the interpretation and the mood behind the music, and sometimes immersing myself in these in a performance can help take my mind off other things too. Although often by the time I come to performance many of the images are now redundant so I just immerse myself in the music.
Plus when practising I actually imagine the audience sitting in my study!!! And it's amazing - imagination is pretty powerful, so I can actually feel slight quickening of the heartbeat etc. Not as much as the actual performance, but at least some of those feelings.
Don't start playing too quickly - give yourself time to breathe deeply and collect your thoughts and focus before you start.
(Incidentally I may have already written this on this thread at an earlier date - I can't remember! Example of the memory problem!!!

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QUOTE(AmandaL @ Jan 26 2006, 12:44 PM)

QUOTE
it gets a lot easier over time! the top pianists perform up to 100 or so times in a year sometimes, so they get used to it.
Oh no it doesn't and oh no they don't, not for everyone. Not all high level performers learn to control their nerves, ever, even with years of practice. Without wanting to mention any names I know of many professional performers who literally shake with nerves before having to perform a solo, whether that be an entire work or just a short section within a work.
I've heard of good players cracking up in auditions too - busrting into tears, the lot. Extremely high stress levels, when you know your monthly income depends on it too, can cause major problems.
With that level of nervousness bananas aren't of use either, it usually takes the use of beta-blockers. Many in the music profession use them but never admit to it, not even to their closest colleagues.
Anyone considering chocolate to dull the nerves, DON'T. Chocolate makes you hyperactive because of the high sugar content, so that will heighten the adrenalin effect even more.
Yep I'll add another comment - I know a top concert pianist (but I'm not dropping any names!!!) who even after several years of wonderful playing is now beginning to suffer more with nerves, so it doesn't necessarily get easier. Most top concert pianists would tell you they get nervous beforehand too. They just don't show it.