QUOTE(ModeratelyAwkwardPianist @ Mar 18 2006, 05:57 PM)

Steve

Steve, did you just change to 'moderately awkward pianist'? I should change to 'very awkward pianist' then!

Ye.zero, technically flawless playing which is one huge hurdle out of the way. Well done!
A few comments:
1. Try to achieve a more 'bell-like' effect - sometimes loud and unrelenting, sometimes more 'shimmering' - hence the name 'La campanella'. Don't be too mathematical and rigid with your tempo throughout - you can be much more flexible in order to bring out the character of the piece.
2. The whole bar D sharp trill in the right hand after the brilliant scale passages should be much faster - just because it is notated with a dotted crotchet with the trill sign above it doesn't mean it is any different from the written out trill the bar before and after. Use this long trill to make an impressive crescendo and then decrescendo.
3. More dynamic contrast is needed overall. Think of the different 'levels' of the piece.
4. Build up towards the end in intensity and dynamically - note the directions in the score, e.g. piu mosso, molto crescendo, agitato ed accel. cresc., piu rinforzando, con fuoco, animato, con brio.
Hope this helps!