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Full Version: Lizst: Friska Section Of Hungarian Rhapsody No.2
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Composing Head
Has anyone played this? Do you think a 'meatier' bulkier instrument facilitates the sonorities or is it better played on a lighter instrument for ease of execution (like a Broadwood maybe)?
IrisH - LoonY
It should sound good on any decent piano smile.gif
chopincloud
A good pianist can play well on any piano! (Just an over-generalisation of course. Obviously the piano must be tuned smile.gif)
Patricia
QUOTE(chopincloud @ May 11 2006, 12:13 PM) *

A good pianist can play well on any piano! (Just an over-generalisation of course. Obviously the piano must be tuned smile.gif)

Not sure if I agree with that. Richness in the bass and clarity in the treble are important in terms of the aural feedback that you get when you're playing. It's like having a good accompanist as an instrumentalist; if what you hear sounds good, then the performance will continue to thrive. But a weak bass, for example, can have the aural effect of making you want to compromise the balance of the hands. I think if you want a truly good performance, you need a truly good instrument!

(Or maybe I'm just not a good pianist... ph34r.gif )

I'm afraid I can't answer specifically as I'm not familiar with this piece - but I always prefer a "meatier, bulkier one"!!
Composing Head
QUOTE(Patricia @ May 12 2006, 11:05 AM) *

...But a weak bass, for example, can have the aural effect of making you want to compromise the balance of the hands. I think if you want a truly good performance, you need a truly good instrument!


Yeah that was my point. If you're playing something like this you definitely need a heavier instrument though the point that a good pianist can play on any instrument is fair enough.

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