QUOTE(onion @ May 27 2006, 06:37 PM)

a few months ago I had a play on a silent viola in Chappells and to my ear it was no quieter than playing my own viola with a practice mute. So I spent a fiver on a practice mute. For me the flexibility of being able to use a regular instrument in ensembles and the high cost of a silent instrument meant that the regular viola worked out better.
I would concur with everyone who's said this.

QUOTE(rosfrog @ May 27 2006, 07:51 PM)

You want a practise mute, it's like a rubber comb that sits across the top of the entire bridge and cuts the sound produced dramatically - however your violin will lose a lot of harmonic quality when you play with it on - it will sound quite flat
You can also get metal practice mutes.
QUOTE(janexxx @ May 28 2006, 08:15 PM)

BTW if you are interested in a Gliga, Liz at Elidatrading does a nice line

(She's not allowed to say that, but I think it's OK if I do). Several people here have Gliga's who I am sure will concur.
Absolutely - I have a Gliga viola and it's scrummy