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YorkshireRose
Now I'm doing Grade 5 pieces I've started to come across the dreaded trills more and more frequently, but am having difficulty doing them. Anyone got any tips to tackle these. Also the repeated chords (you know the ones joined by the three black lines) are a problem too.
PianoPlayerScottie1901
I'm not exactly an expert, but my teacher always say the best way to get nice even trills is to practise slowly and try and use fingers 1+3 or 2+4
Hope this helps slightly tongue.gif
Oddball
Any pieces in particular? smile.gif
musicbox
Is it the Gigue??
I began to do that but then switched to Les Carillons because I found it a nicer piece. Are you following the finger numbering correctly??
I find them a bit challenging, but I just practise slowly and make sure I don't actually move my fingers to much. I also practise playing the trill for quite a while just so my fingers "get the feel".
ItsAllGoodAndSmiley
As regards the trills - here's a method that has worked for me:

Set your metronome (if you have one, otherwise just keep a very steady beat in your head) and play quavers against the metronome's crotchet beat. After a few beats of that, play triplet quavers, so 3 notes per click. Next move onto semiquavers. Once you are happy that they are even, move onto either quintuplets (though they are difficult to keep even) or sextuplets. After them, try demisemiquavers, therefore playing 8 notes per click of the metronome.

When you are comfortable with the demisemiquavers at that speed, increase the speed of the metronome slightly, for example by 4 beats per minute.

Eventually your demisemiquavers will become so fast they will sound like a trill, and still (hopefully) be nice and even smile.gif
andante_in_c
QUOTE(latest @ Jul 16 2006, 09:00 PM) *

There is nothing magic about trills. You just need to practise them daily. Try them slow, fast, even, dotted rhythms, legato, staccato - keep varying it until you are happy with them.


An interesting viewpoint from someone who doesn't play an instrument. unsure.gif
andante_in_c
Not trying to pick a fight! According to your past posts, latest, you are a non-instrument playing parent. Sorry if I've misread what you're saying.
ianfiat
Where did latests posts go ?
janexxx
QUOTE(ianfiat @ Jul 17 2006, 12:24 PM) *

Where did latests posts go ?


in a cave marked "trolls" (as opposed to trills!)I would think after last night rolleyes.gif
JudithJ
QUOTE(ItsAllGoodAndSmiley @ Jul 16 2006, 02:19 PM) *
As regards the trills - here's a method that has worked for me:

Set your metronome (if you have one, otherwise just keep a very steady beat in your head) and play quavers against the metronome's crotchet beat. After a few beats of that, play triplet quavers, so 3 notes per click. Next move onto semiquavers. Once you are happy that they are even, move onto either quintuplets (though they are difficult to keep even) or sextuplets. After them, try demisemiquavers, therefore playing 8 notes per click of the metronome.

When you are comfortable with the demisemiquavers at that speed, increase the speed of the metronome slightly, for example by 4 beats per minute.

Eventually your demisemiquavers will become so fast they will sound like a trill, and still (hopefully) be nice and even smile.gif




Excellent method Smiley - I shall try that tonight.

YorkshireRose
Thanks for all the advice. I don't have a metronome but should probably get one soon.


Yes it was the Gigue (A1) that was causing me the problems. I had a go at Les Carillions which I wasn't that keen on and have now switched to the Rondo (A2) which I like much more. I will probably go back to the Gigue for practice later on.
chocolatedog
There's another method too - first play 2 notes as fast as possible - like grace notes - first up the way then down, then turn it into mordents ie 3 notes as fast as possible, then 4 notes, then 5 - in what you might call "splurts".
bobifier
You should always try to trill, in my knowledge, on fingers 2+3, and NEVER on finger 5. That's what my piano teacher says every time I do trills.
Oddball
2 + 3 are the best I find, yep. Had an odd trill between 1 + 3 once though unsure.gif
bobifier
QUOTE(Oddball @ Jul 19 2006, 05:29 PM) *

2 + 3 are the best I find, yep. Had an odd trill between 1 + 3 once though unsure.gif

I've never tried trilling on my thumb... Is it easy?

I've actually had to trill on every other finger, including five.
Oddball
It wasn't too bad. Thumb was on an E, and trilling to the D# below it with finger 3.
lizbun
Try to practice them s-l-o-w-l-y first, or there is a practice just for that problem is hanon practice book
bobifier
QUOTE(Oddball @ Jul 19 2006, 10:43 PM) *

It wasn't too bad. Thumb was on an E, and trilling to the D# below it with finger 3.

That sounds weird...
Oddball
It's easier than a 2 + 3, I found. smile.gif
Susie
My teacher always recommended 1 and 3, and I've found it works very well
La_Chopiniste_
QUOTE(lizbun @ Jul 21 2006, 03:24 PM) *

Try to practice them s-l-o-w-l-y first, or there is a practice just for that problem is hanon practice book


i totally agree..
The key is to practice slowly at first..
Hanon exercises were so helpful to me...
Noodelz
I learnt playing trills by playing Chopin's Nocturne in c# minor Op. post.. blink.gif It introduced me to Chopin and everyone loves listening to it.

Have a go at it! smile.gif
Oddball
QUOTE(Noodelz @ Jul 24 2006, 07:30 PM) *

I learnt playing trills by playing Chopin's Nocturne in c# minor Op. post.. blink.gif It introduced me to Chopin and everyone loves listening to it.

Have a go at it! smile.gif


Hehe, me too! There's still one trill that gets to me every time, and it doesn't come out right blink.gif
deviless
On the subject of Grade 5 piano, and I've heard a lot of people had switched to Les Carrillons. Why?! I like the sound of it, but if you get a note wrong, boy does it stand out! I think thats what let me down in my exams... allong with the speed... I heard this recording of a Chinese girl playing it, she must only have been about 8 and I was sooo envious, 8 and she could play it better than I could after a whole year... wink.gif
Annetta
I am currently studying Gigue as well for my grade 5

Yes I found the trills tricky to so yuor not alone there...my teacher just kept on maing me do them and then when I kept forgetting them he made me trill for a minute using fingers 4 and 3 which is what you are supposed to use. Just keep practicng and i do like the method of starting slowly and then gradually getting faster.

Annetta xx
George Burrell
When you trill, are you sure that your arm rotation is working in unison with the notes you are wanting to hear. A common difficulty is that the student gets too tight because they are thinking that this is purely a "fingers" issue. When practising slow, I always train the ARM to rotate freely in the direction that the notes are to sound. When brought up to speed, the "movement" becomes more like a vibration. I suppose that is why a trill may be sometimes called a shake~!
LizzieT
QUOTE(George Burrell @ Aug 3 2006, 06:31 PM) *

When you trill, are you sure that your arm rotation is working in unison with the notes you are wanting to hear. A common difficulty is that the student gets too tight because they are thinking that this is purely a "fingers" issue. When practising slow, I always train the ARM to rotate freely in the direction that the notes are to sound. When brought up to speed, the "movement" becomes more like a vibration. I suppose that is why a trill may be sometimes called a shake~!


Interesting - I struggle with trills and have never thought beyond what my fingers were doing! Will try this.
lucietake2
QUOTE(YorkshireRose @ Jul 17 2006, 04:25 PM) *

Yes it was the Gigue (A1) that was causing me the problems. I had a go at Les Carillions which I wasn't that keen on and have now switched to the Rondo (A2) which I like much more. I will probably go back to the Gigue for practice later on.

i did it the other way round - learnt A2 first and then my teacher changed her mind and i learnt A1! x
sphiff
QUOTE(George Burrell @ Aug 4 2006, 01:31 AM) *

When you trill, are you sure that your arm rotation is working in unison with the notes you are wanting to hear. A common difficulty is that the student gets too tight because they are thinking that this is purely a "fingers" issue. When practising slow, I always train the ARM to rotate freely in the direction that the notes are to sound. When brought up to speed, the "movement" becomes more like a vibration. I suppose that is why a trill may be sometimes called a shake~!


It really does work. I used to struggle with my trills until my teacher thought me to rotate the wrist and arm too and that made it so much easier! smile.gif
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