trudihiggins
Jun 30 2004, 02:02 PM
Someone must know why the certain countries (France being one) use do, ré, mi, fa etc and England (and other countries) use A, B, C which is the oldest - and why are there two different names that exist for notes ?
DavidMusic
Jun 30 2004, 02:20 PM
| QUOTE |
can anyone explain (someone once did !) why France and I believe other countries use do, ré, mi, fa etc . Which is older A, B, C or do, ré, mi ? can someone explain ? thankyou |
Err... seems like two slightly different questions to me
maggiemay
Jun 30 2004, 04:26 PM
An 11th century monk (Guido d'Arrezzo) used a (then) familiar plainsong hymn
Ut Queant Laxis
to help teach sight-singing. Each line or phrase of the hymn began one note higher than the line before (C, D E etc). The syllables 9ut, re, mi, fa, so, la)
are the initial syllables of the first word of each line - although at some point ut became doh, and ti was added later (did not exist in the hymn).
Bet Guido never suspected his system would be adapted into a song in a 20th century film !!
Maggie
trudihiggins
Jul 1 2004, 07:14 AM
Thanks for that, Maggiemay, but do you know why the English did not use this 11th cen method ?
Trudi
maggiemay
Jul 1 2004, 08:07 AM
Well some English did - solfa was and still is used in some places.
But I guess you mean why it wasn't adopted wholesale, and on that I have no idea.
When I was at school it was regarded as perhaps a little old-fashioned (how silly!) but things do go in cycles. Older song books that I remember using had sol-fa syllables printed above the stave.
Haven't added much really -sorry not be of more help.
Maggie
trudihiggins
Jul 1 2004, 12:16 PM
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DavidMusic
Jul 3 2004, 01:29 AM
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trudihiggins
Jul 5 2004, 09:44 AM
dear davidmusic
please accept my sincere apologies.
sometimes life just doesn't go the way you plan it and small things become out of proportion.
I will endeavor (have I spelt that right ?) to remain civil and behave myself
Yours
Trudi
DavidMusic
Jul 5 2004, 01:50 PM
Thank You
Mrs Beethoven
Jul 6 2004, 08:47 AM
... If you have a good knowledge and understanding on a subject then impart your knowledge in an informative way without being condescending.
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trudihiggins
Jul 6 2004, 09:27 AM
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DavidMusic
Jul 6 2004, 09:19 PM
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Jul 7 2004, 09:26 AM
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Mrs Beethoven
Jul 7 2004, 12:11 PM
maggiemay perhaps you might know the answer to something that has puzzled me for ages. I understand doh re me etc but what do you call the note of the scale if you want to raise / lower by a semitone . ie if in key of c major what is f# called?
Thanking you in anticipation.
trudihiggins
Jul 7 2004, 12:34 PM
Mrs Beethoven
In France we use bémol for flat and dièse for sharp so Bb becomes si bémol
and G sharp becomes sol dièse, a G natural would be sol bécarre, the only problem is when the chef d'orchestre says"go back to the Si " and you automatically (when French is not your native language) think of C and not B, fortunately most of the chef d'orchestres I play with shout out one note for the orchestre and then " that's C sharp for you Trudi"!
AnotherPianist
Jul 7 2004, 01:23 PM
I believe that in using moveable sol-fa one uses fi instead of fa for F Sharp instead of F. Cyrilla or Violinia will be able to give you more detailed advice though. I think that there was a post including it a while ago: try searching for fi in posts that may work.
Cyrilla
Jul 7 2004, 05:11 PM
Mrs Beethoven - F# in the key of C Major would be called 'fi'. When sharpening solfa you add 'i' and when flattening the vowel changes to 'ah' or 'aw'.
So an ascending chromatic scale would be:
do, di, re, ri, me, fa, fi, so, si, la, li, ti, do
And descending would be:
do, ti, taw, la, law,so, saw, fa,me, maw, re, raw, do.
(btw, F# in the key of C would imply a modulation to the dominant, in which case you would change from calling the note 'fi' and call it 'ti' instead!)
Hope this is useful. Do please ask again if I can be of any more help!
trudihiggins
Jul 8 2004, 07:56 AM
I'm lost completely now !!
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