QUOTE(nicki_flute @ Sep 2 2006, 05:33 PM)

Any comments about:
Falst, Elgar
Scherzo cappricioso, Dvorak
Romeo and Juliet, Prokoviev
Symphony no. 9, Shostakovich
as we're playing them in orchestra.

I envy you, because that's a super programme (although there's lots of Prokoviev I like better that the R & J music) and quite challenging.
Elgar thought that "Falstaff" was his best composition, and I don't disagree, though the Variations and the Introduction & Allegro are just as good, IMO, and "Gerontius" has some magic musical moments to compensate for its old-fashioned theology. My recollection of the one performance of "Falsatff" that I was in is that the transition to 6/8 had me confused at first. The point is that it happens at different places in the different parts (rehearsal 8 for the flutes), and the beat (two per bar) stays constant, not the crotchet.
The Dvorak is a fun piece with lots of good tunes, somewhat lighter in weight than the symphonies. I haven't played it, nor the Shostakovich, which is the work I envy you the most. While he was writing it, interested parties thought he was writing a grand work celebrating the triumph of the Soviet Union in the Great Patriotic War, and were a bit disconcerted at the premiere by the flippant first movement with its piccolo solo, rudely interrupted by the trombone. However, it gets more serious later, and the slow movement has some inner steel.