QUOTE(itchy1 @ Aug 13 2007, 10:27 PM)

Andrew- how exciting!!
What are you getting, are you going for the Loree instruments that you talked about in a previous thread??
I'd love to hear about the mini oboes as well.
May I have a little bit of advice from all of you oboists out there. I'm playing a study that is taking me up to a top F sharp. I can get the F to speak, but when it comes to the F sharp, I can do it moving up from the F, but I can't make it speak otherwise. Do I need to start biting the reed...but that goes completely against everything I've been taught and I'd be nervous of damaging the reed. Any advice would be really welcome.

Hi Itchy, yes it is rather exciting I have been waiting a very long time...I am ordering a pair of Loree Royal 125 Oboes and a Cor Anglais Royal which should take about three months to arrive...but hey knowing the French it will probably take a little longer...never mind there's a whole heap of things I need to get, gougers profilers and some new reed knives, mine are in dire need of replacing I will also replace much of my now very dog eared music which is in pretty poor shape. I haven't had a good spend up in a very long time so I feel it's long overdue.
As for the top F sharp, from what I can gather you are ok running up to the note but not starting on the note...is that correct? If so, what I would suggest you try is soemthing my old teacher called " Sharp articulation" almost spitting the note out hitting the reed frimly with the tongue to get it to sound. Support is vital and that punch must come from the Diaphragm, drawing the stomach muscles in as if you were trying to be as thin as possible...once you find you are able to spit the note out you can start to refine it, using less of the spitting action and more support... allow the note to be overblown and refine it with the lip but don't bite down, firm the muscles up in the embochure and let the tone sing, keep your throat relaxed allowing the air to flow freely...don't be shy BLOW, the note may well sound a bit harsh in fact its highly likely it will but you can refine it in time..Quiet entries are always going to be harder but you will get there...
Sorry if I haven't described that very well it's very early and I am still fumbling round the kitchen, tripping over the dog...if you need more info...PM me and I will put you in touch with a lecturer in the USA who has an excellent website and has some very well worded explanations on technique and some fantastic pratice modules...
Good luck itchy
Regards
Andrew
QUOTE(notmusimum @ Aug 13 2007, 11:35 PM)

QUOTE(A.U.K @ Aug 13 2007, 09:43 PM)

Going to Howarths next week I will have a look and let you know what I thought...
Very exciting am ordering my new Oboes and Cor Anglais..
regards
Andrew
This is a place we must visit. I thought my Daughter's on loan Buffet was wooden, the nice people at Howarths have told me it's plastic inside. Now I know why her tone seems to be lacking progress. One of the problems with this type of instrument is that they are thin sound wise in the higher notes. Well now I have the answer I've got to do something about it.
Anyone got a spare couple of grand?
The Buffet Green line Oboe is considered a very good student instrument...in fact many makers line their instruments with plastic or a hard rubber I believe to stabalise the bore and stop it from cracking...I think thats why they do it...I could be wrong...
Of course you may consider that it may well being a loan instrument have had a fair bit of playing and yes of course the better the wood quality the more likely it will help with the tone..so when you feel ready I would definitely head to Howarths and talk to them...