QUOTE(susiejean @ Aug 21 2007, 10:11 AM)

QUOTE(noodle @ Aug 15 2007, 09:45 PM)

I just let my students play each section once. At the end of the first section play the second time bar and go on to the 2nd section. They don't usually expect repeats indicated by dots in exams, but they appear because they were in the composer's original.
Spot on Noodle. As there is no Da Capo, the end is bar 16. Nice short piece then!

I agree with this since it fits with the rubric as set down by the AB.
However, hundreds of years ago when I took either my G3 or G4, I had a piece which had several repeats through it. I learnt to play it straight through (rubric was probably the same then too). Went into the exam and the rotten examiner said how he felt that the piece wasn't balanced unless one played all the repeats, so would I please play all the repeats. This threw me completely because in the heat of the moment I could not remember where to go back to each time.

I think I just passed the exam. My teacher didn't make any comment to the board, although I would do so now if it happened to one of my pupils.
But the effect it had on me has stuck with me all these years. Consequently I explain very carefully to my pupils what should be expected of them in the exam, but also make sure about 6 weeks before the exam that they know exactly where to repeat from should the need arise. We do however practise mostly what should happen (assuming now that there are no "rotten" examiners at large!)