QUOTE(janexxx @ Oct 13 2007, 08:13 PM)

QUOTE(rosfrog @ Oct 13 2007, 08:53 PM)

Here's an example of someone with a classical approach, playing a reel
http://www.youtube.com/watch?v=7w65438PCGM (it's a perfect example of how not to do things - possibly the worst version of this tune I've ever heard)
Ahhh you haven't heard me though... I could be the worst.
But she has a lovely smile
Thanks for posting those two links, it was great to compare. Reminds of the dear Yehudi Menuhin trying to play jazz with Grappelli. Wonderful as he was he just didn't really get it.
Aye, true enough - I've heard a fair few excellent classical violinists totally miss the point of traditional music (sometimes, just sometimes, it's because they get the 'sheetmusic' to this oral tradition and think it's easy 'cos there's not many notes and it doesn't frequently change position...)
That said, I've heard a fair few fiddlers attempt classical music and that wasn't pretty either...

I think you have to, at some point, choose your camp and stick to it. I can't think of one single fiddler (with the exception of Apap, maybe, but even his Irish stuff sounds copied off a CD) who plays convincingly in both camps. I suppose that's why we say 'cross-over artist' and not 'plays-both-reall-well artist'!
Still, I'd pay money to hear your beloved Maxim knock out a jig - fifty quid says he'd prove me wrong with three days of instruction!

EDIT - if you are interested in hearing some REALLY top class fiddling, I can't recommend Liz Carroll enough. What she can't do with her fiddle held round the front, a pancake left hand, her bow help above the wire lapping and a really high elbow - is nobody's business! Vibrato, shifts etc on slow airs, and if you listen to her jigs and reels - well, just make sure you've got room to dance!