I don't mind sight-reading on an instrument where you only play one note at a time and only have one stave of music to read, especially if it's treble clef. The more I have to read/play at once, the worse it gets.
QUOTE(sarah123 @ Oct 23 2007, 12:40 AM)

I really like (and am pretty good at) sight reading proper music. But when it comes to the exam extracts, for some reason, it goes a bit wrong - not a total disaster, but somehow wrong. I've no idea how it is possible that i can have a pretty good go at sight reading grade 8 pieces, but suddenly, this 3 line thing doesn't work!! I'm sure they're written to be deliberately confusing!!
They are written specially and often don't seem much like other music that you might sight-read in the normal course of things. I don't think they're deliberately confusing per se, but they are quite artificial, so it can be difficult to get into them.
QUOTE(Phil Dixon @ Oct 23 2007, 01:13 AM)

Practise, practice, practise!
Get hold of ABRSM sight redaing book. Go through ervery singhle exercise. Do it proper;ly and dont cheeeeet. Sight reading is so important for youer overall musicianship. If your doing grader 4, then do the grade 5/6 sifght reading examples. You will pass with flyinbg colours.,
I have the AB specimen test book. There's /one/ book, covering grades 2-8. So, very few examples at each grade. For grade 3 I worked all the way through the grade 3 piano specimen test book first, which helped. That's no use for grade 4 though, so I'm having to play "guess the expected difficulty". I do sight-reading almost every time I practice (regardless of whether or not there's an exam on the horizon), but it's usually a matter of picking something fairly random and trying to play it - it might be quite playable or it might be way out of my league and I never have any real idea of what grade it is.
QUOTE(sarah-flute @ Oct 23 2007, 10:55 AM)

It IS hard on piano because you're reading two clefs at once, but practice will really really help, even if it never becomes your favourite bit of the exam.
*mutters darkly about reading three staves at once*
;-)
On the bright side, at least there's no score-reading at this level.
(Note, this doesn't mean following an orchestra score, which is easy enough. It means playing from 3-8 staves, using up to 4 different clefs. I'm currently working through a book of 3-4 stave stuff without C clefs and that's bad enough - I've got a book that has C clefs and I'm scared to even try those ones! And the idea of ever doing it with more than 4 staves isn't one I want to think about.)
No sight-transposition either, though I quite enjoy that.
Using the 30 seconds prep time (if you actually get given it) strategically can help. Don't just start at the beginning and try to play through as far as you can get. Glance through the whole thing very quickly and spot the bits with tricky rhythms or lots of accidentals or whatever looks like it might trip you up and try to play that bit. Work out how fast to take it, according to what you can manage the tricky bits at (keeping in mind what it says of course!) and, even if that's a little slower than indicated, you'll probably do better than if you start briskly and slow up when you hit the awkward bits.
T.