QUOTE(Tortellini @ Nov 29 2007, 08:56 AM)

Thank you for all your advice! I did the exam

It wasn't the all-out disaster I feared but it wasn't great either - I made a mistake in ALL my pieces but all of them were "nervous" mistakes and I more or less recovered. Scales went ok although I did have a mental blank on F minor - and actually told the examiner that I didn't think it was on the syllabus

He assured me it was and then it came back to me! I felt a little silly as I was the eldest in the waiting room by at least 25 years but, all in all, it was a positive experience (even if I don't pass) as everyone was so nice.
Well, if you decide to go on to grade 5, you don't have to worry about remembering which scales you have to know as you have to do all of them. ;-)
For flute, I have to do all the majors and minors plus selected dims & doms (which are basically just fancy arpeggios) and I find it less work to learn the whole lot rather than try to keep track of which ones I'm supposed to know! (If I ever get to grade 8 I'll have to know them then anyway, so I may as well learn them now and get it over with.)
On organ, I don't bother remembering which manual scales I'm supposed to know as they're a subset of the piano ones. If I have to practice them, I'd rather play them on my favourite instrument than on my least favourite, so I just do the whole lot on organ. :-) (Think of it as a "Get Out Of Piano Practice Free" card!.)
Overall I think learning the scales themselves is less hassle than learning which scales are on the syllabus.
Don't worry about a few mistakes in your pieces. I made mistakes (some of them quite big ones) in all my pieces in all my exams this term, especially piano. I think I've just scraped through on piano and done OK on the others.
Last term I stuffed up half the scales in my organ exam. Stopped dead halfway down the first one and played it again (without stopping that time, but my fingers slipped again and my hands got out of sync). Got out of sync again in the second one (though without a re-start). Played all the right notes in the third one, but with seriously unorthodox fingering (Bb major and I put a thumb on a black note at one point). Then got the rest (2 minors and a chromatic) right, but a little shakey. (I had NOT been expecting to stuff up F and D majors (they were always fine in practice and lessons), so I was really badly rattled by that.)
Got 17 for scales!
I always come out of an exam knowing full well where every mistake was and completely unable to remember all the bits that went quite well. If I play a piece with really convincing style, crisp ornamentation, good dynamic contrasts, careful articulation, etc, I'll come out of the exam and say "I played a wrong note in the penultimate bar".
Sure, mistakes will lose you a mark or few, but the examiner is listening to the overall performance and will pick up on a load of stuff that you do that's good that you don't even notice because you're so used to doing it. In the organ exam which started with easy scales unravelling completely, I got more and more rattled as it went on, and made more and more mistakes. One fairly noticeable slip in my first piece (27), several in the last couple of lines of my second piece (27) and completely messed up an entire section of my third piece (29 - I messed up in the atonal bit and kept going regardless and I don't think he even realised).
So you've probably done a lot better than you think.
My very first flute exam, I came out of the exam and told my teacher exactly what mistakes I'd made through the entire exam. I was able to count off every place I could possibly have dropped some marks. Got the results a few weeks later and I had dropped exactly 1 mark per mistake.
This term the thing I'm most interested to see the result for is organ scales, because it's the first time ever I've had a section where I don't think I got anything wrong. (I've had full marks in aural sometimes, but I'm never 100% sure if I've got the "how many beats in a bar?" bit right, so I tend to assume it was wrong because it's always wrong in lessons, so I'll come out of exams and say stuff like "I made a mistake in test A and I have no idea if I got the 'beats in a bar' right", or "aural was fine apart from the 'beats in a bar' bit".) I've never ever come out of an exam with a section I couldn't pinpoint a mistake in (or, for aural, a possible mistake) before now, and it /really/ threw me, because I'm always so aware of "what went wrong"!
Scales were accurate, even and I didn't put thumbs on black notes (even in Bb major, which did come up!) - I guess he could dock marks for speed (I took them a little slower than I could've done) or fingering (nothing glaring, but there's usually a few 'creative' bits), so I'm curious to see what I get.
Examiners are looking for "what went right". And even in a piece with several slips, chances are that a lot more went right than went wrong.
QUOTE
BTW I was really nervous about having to do the exam after two days of not playing because I was at a conference for work. When I got to the conference it was being held next to a piano shop! The lovely owner let me play one of the grands during the conference coffee breaks!!!
Brilliant! :-)
Quite apart from being able to practice, that would've been useful experience of playing different pianos (one of the things that worries me about piano exams is having to play an unfamiliar piano, especially as I very rarely play any apart from mine and my teacher's and occasionally the one in the songroom at the church where I sing).
T.