QUOTE(Mad Tom @ Jun 11 2008, 12:12 AM)

QUOTE(Teigr @ Jun 10 2008, 10:57 PM)

For some reason, piano seems to lend itself particularly poorly to the exam-centric approach. My hunch is that's because, at least in the early/intermediate stages, it's not something that gives you many opportunities for ensemble playing.
(slightly off topic)
Which is probably true, but it ought not to be, because woodwinds and strings and singers all need acompanists, and there is lots of four handed music for the piano, and keyboards are prominent in trios and recitative ...
Sure, there are ensemble opportunities for slightly more experienced pianists, but not so much for the lower grades. By the time I was grade 2 on flute, I could play anything in the hymnbook, which meant I could play it in church music groups. A grade 2 pianist isn't going to be able to do that. I've got grade 5 piano and there's no way I could sight-read my way through an entire service on piano. I'd need several weeks' notice to try to learn the stuff and even then I'd struggle.
At school I was in junior orchestra and junior recorder ensemble, then in orchestra, recorder ensemble and jazz band. The only one of those that had a pianist was jazz band, and it needed to be a very good pianist. Whereas the same band had several of each of clarinets, saxes, flutes, trumpets, etc. including some from about grade 3 standard.
I'm only about grade 1-2 standard on violin, but I play in a friendly string ensemble (it's open to grades 2-8+). I know a local brass brand that welcomes people from almost complete beginners - you just play what you can manage and leave out the rest.
People who play orchestral/band instruments can get into ensemble playing from a very early stage, which is not only fun, but also very good experience. So if they don't do much non-exam work in their lessons it's not such a problem, because they're having fun and playing extra repertoire elsewhere.
Other instrumentalists do need accompanists, but they're not likely to be looking at the grade 1-5 pianists for that. Someone of your standard can get into chamber groups and so on, but it's a lot harder in the early/intermediate stages. Of course there are bound to be a few exceptions, but in general you can get ensemble opportunities much earlier with non-keyboard instruments.
So for pianists it's more important to explore repertoire and play some stuff "just for fun" between exams, as they're less likely to be doing it somewhere else. For someone playing an orchestral instrument in ensembles, the extra playing experience will probably accelerate their progress, so the transition from one grade to the next won't seem so hard.
Doing nothing but exam work or slogging away at a bunch of stuff that's too difficult is un-fun. Of course we all have to do some stuff that we might not find particularly fun if we want to make progress but, broadly speaking, music should be enjoyable. It doesn't /all/ have to be fun, but at least some of it should be.
There's no point trying to speed through the grades as quickly as possible (unless you need particular ones for uni or something like that, and even then it's not ideal). Im guilty of making my recorder lessons entirely exam-oriented, but I do so much other recorder playing that it doesn't have the negative impact that doing the same thing with piano would have. I had a very pushy, very exam-focussed piano teacher when I was little. The race to get from grade 3 to 4 on piano put me off piano for life. It's better for people to take a bit longer, play more non-exam pieces and actually enjoy doing it, rather have it all turn into a chore.
T.