QUOTE(barry-clari @ Dec 6 2008, 12:07 PM)

Now I'm a believer that if you have a good recorder, whatever colour it is (like the Yamaha pink, blue, green ones, and now also red in conjunction with Classic FM), it doesn't matter.
I was watched by school inspectors at the end of last year, who liked what I was doing, except I was criticised for using coloured recorders. They said it'd mean the children wouldn't take the recorder seriously in the long term.
I don't think that's at all true, but what do you all think?...
I play multicoloured Yamaha descants. They don't seem to make me, my teacher, friends and family or AB examiners take the recorder less seriously. If Yamaha made translucent coloured trebles in the same series as the descants, I'd be happy to use one (or two, with the bits swapped around...)
Those Yamahas are as reliable as anything I've come across and chances are I'll be using one in my next exam too. I have a nice wooden Dolmetsch descant too which is generally fine, but not quite as predictable, so I've not used it for exams.
Better for kids to play on a coloured instrument which makes a good sound than a plain one with poor tone or that can't be played in tune. A cheap wooden one (the sort you can get from some toy stores and similar, not by a recognised maker) may look more like a "proper" instrument, but the experience of making a good sound on a responsive instrument, even if it is a coloured plastic one, is far more likely to encourage kids to continue with recorder as a serious instrument in the long run.
Most parents won't want the expense of buying a decent wooden recorder and not all young kids would look after one properly. So plastic Yamaha, Aulos, Dolmetsch or similar instruments are a more sensible choice.
The translucent ones may even have an edge over the rest as kids can see how the condensation builds up, so it should be easier to show them how warming it up before blowing into it reduces that and therefore reduces clogging.