QUOTE(icklechick @ Jan 20 2009, 09:39 PM)

I've had a few piano tuners in my time...one said my piano wasn't tuneable to "concert pitch" - it was that bad, and so he would just have to tune it to itself. But then, I got another tuner the next time who spent 4 hours re-pitching it to concert pitch. Guess the 1st tuner just couldn't be bothered...
I've got a great tuner now - who comes with his guide dog. He stays several hours - he comes on bus, asks if the dog can relieve itself in my garden, then needs a plate for his sandwiches (and a cup of tea) before he even starts - but I love him

I only had to describe the layout of my house while he was stood at the front door and he found my piano, and then the toilet without needing to be shown!
Sorry to pick up on an old thread, but:
We currently pay £40 for piano tuning up here in the north east of England, and the job usually takes around two hours or a little longer. Out tuner comes from Sunderland, which is about 45 minutes away, but he doesn't charge for travel. Overall we are very happy with his work, although we know of two others in the village who have been less impressed. However, having played their pianos I suspect it may be more to do with the instrument than the tuner.
Your first tuner was not necessarily wrong about tuning to concert pitch. If a piano has not been tuned for a long time (and is therefore well below concert pitch) there is a very real risk that tightening the tuning pins by the required amount will result in broken strings; especially as the metal strings tend to work harden at their ends, and so become brittle. The usual procedure in this situation is to tune the piano to itself - usually a tone or a semitone below pitch, and to gradually tune the instrument closer to concert pitch over a period of a year or two.
Our own piano is still a semitone below pitch for this reason, having not been played for many years by it’s previous Owner; but I don't think it matters unless you want to play it along with other instruments. The piano at church is also a good semitone below pitch, but it is never played with the organ (which is always kept well tuned) so it does not create a problem.
You have also reminded me that when I was at school, all of the piano tuners who came to tune the school pianos were blind. I was always fascinated by how they could manage to do a quite complex job without being able to see, but as our teachers explained, blind people tend to have much better developed hearing than sighted people do.
SB