QUOTE(rosfrog @ Apr 2 2009, 01:50 PM)

I know a guitarist who uses one of these in the middle of very noisy sessions and has no problem with it picking up the vibrations of his instrument only. It seems very effective indeed.
Now if only we could get him to understand that he has to be in tune with US and not his tuner (the minute a piper turns up to a session, the tuning goes haywire anyway!) - he does have a little bit of a tendency to tune to the tuner and happily play away without realising at all that he's a quarter of a tone flat.
we usually have a couple of box players and a piper (scottish smallpipes)--come to think of it, i haven't noticed if they ever manage to play at the same time... the piper seems to switch to low whistle for a lot of tunes. fortunately the mandolin and banjo seem to tune to A=440 (with a tuner) and they sound in tune with everything else, so i figure i should be okay ;-)
oh, this thing can tune to anything from A=430 to A=449, and goes up to 4 semitones flat in 1 semitone steps (useful for capo'ing). i suppose that means i could tune to someone else, then calibrate the tuner to keep in tune from then on...