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denmark77
Yet another potential DipABRSM Piano programme up for constructive criticism:

Scarlatti Sonatas in E Minor K. 263 and E Major K. 264
Haydn Andante con Variazioni in F Minor, Hob.XVII / 6
Brahms Rhapsody in G Minor, Op. 79 no. 2
Prokofiev Visions Fugitives, nos. 8 , 14, 19 & 20 from Op.22

This is still in the very early stages for me, so any comments or suggestions are very welcome.
Total timing is around 32-34 minutes (very approx.)

Thanks for your help, in advance. sleep.gif

denmark77
Mad Tom
QUOTE(denmark77 @ Sep 29 2009, 06:41 AM) *

Yet another potential DipABRSM Piano programme up for constructive criticism:

Scarlatti Sonatas in E Minor K. 263 and E Major K. 264
Haydn Andante con Variazioni in F Minor, Hob.XVII / 6
Brahms Rhapsody in G Minor, Op. 79 no. 2
Prokofiev Visions Fugitives, nos. 8 , 14, 19 & 20 from Op.22

This is still in the very early stages for me, so any comments or suggestions are very welcome.
Total timing is around 32-34 minutes (very approx.)

Thanks for your help, in advance. sleep.gif

denmark77

It ticks all the boxes: Baroque, Classical, Romantic, 20th Century, and a wide range of techniques, tempo, and mood. Should be fine. Good luck.
scifi-karis
Just have to say that I LOVE the Brahms ... so stormy! Good luck with your exam!
fsharpminor
Yes, looks good. I love playing those Haydn Variations.
Frederic Chopin
Good programme smile.gif
Robodoc
QUOTE(Mad Tom @ Sep 29 2009, 11:01 AM) *

It ticks all the boxes: Baroque, Classical, Romantic, 20th Century, and a wide range of techniques, tempo, and mood. Should be fine. Good luck.

agree.gif

QUOTE(Frederic Chopin @ Sep 29 2009, 02:49 PM) *

Good programme smile.gif

agree.gif

. . . .BUT . . .

. . . the Brahms is a bit hackneyed and therefore perhaps better to avoid (the same applies to Beethoven's Pathetique and Moonlight sonatas). Still, it's on the list so if you think you can do it justice go for it. Good luck.
denmark77
Yes Robodoc, I too was wondering whether the Brahms was a good choice, given its popularity. I rarely hear it played nowadays though, so perhaps it's due for a revival...I think scifi-karis is with me there ! That said, I usually steer well clear of popular pieces for the reasons of hackney-avoidance, so that's the one exception in my programme.

Glad you too like the Haydn Variations, f#minor.

All the items are chosen for reasons of personal preference, and not with an 'audience' in mind, so I was hoping for some insightful feedback.

Thanks for all the helpful comments, blush.gif

denmark
Bella
QUOTE(denmark77 @ Oct 1 2009, 08:08 AM) *

Yes Robodoc, I too was wondering whether the Brahms was a good choice, given its popularity. I rarely hear it played nowadays though, so perhaps it's due for a revival...I think scifi-karis is with me there ! That said, I usually steer well clear of popular pieces for the reasons of hackney-avoidance, so that's the one exception in my programme.

Glad you too like the Haydn Variations, f#minor.

All the items are chosen for reasons of personal preference, and not with an 'audience' in mind, so I was hoping for some insightful feedback.

Thanks for all the helpful comments, blush.gif

denmark


im playing brahms op118 no3 ballade. very powerful and emotional peice, if you're looking for any other alternatives smile.gif

and, im also playing the prokofiev. im having difficulties in no 19 and it's speed. the version i heard on the cd my piano teacher lent me was at breakneck speed. what speed would you suggest for no19?
fsharpminor
My recording of No 19 lasts 39 seconds. You can work out the metronome marking by counting the bars !!
denmark77
My recording of no 19 - Michel Beroff - lasts for 36 seconds, so is certainly at breakneck speed...

I think the feeling of panic which the piece seems to require (agitatissimo)is achievable at slower speeds though. Never really tried setting a metronome for it, to be honest...

denmark


Welcome, bella, by the way welcome.gif welcome.gif

Thanks too for the suggestion of the Brahms Ballade, op. 118, no 3. I'll consider it...

denmark
chuhangchun
QUOTE(denmark77 @ Sep 29 2009, 04:41 AM) *

Yet another potential DipABRSM Piano programme up for constructive criticism:

Scarlatti Sonatas in E Minor K. 263 and E Major K. 264
Haydn Andante con Variazioni in F Minor, Hob.XVII / 6
Brahms Rhapsody in G Minor, Op. 79 no. 2
Prokofiev Visions Fugitives, nos. 8 , 14, 19 & 20 from Op.22

This is still in the very early stages for me, so any comments or suggestions are very welcome.
Total timing is around 32-34 minutes (very approx.)

Thanks for your help, in advance. sleep.gif

denmark77

Your programme is not bad. smile.gif
Bella
QUOTE(denmark77 @ Oct 9 2009, 04:05 PM) *

My recording of no 19 - Michel Beroff - lasts for 36 seconds, so is certainly at breakneck speed...

I think the feeling of panic which the piece seems to require (agitatissimo)is achievable at slower speeds though. Never really tried setting a metronome for it, to be honest...

denmark


Welcome, bella, by the way welcome.gif welcome.gif

Thanks too for the suggestion of the Brahms Ballade, op. 118, no 3. I'll consider it...

denmark


thanks for the welcoming smile.gif

for no 19, i find it a little weird... firstly, i cant get the speed right, which, im sure i'll get someday when i get the time to work on it. but, does anyone find those accents a little wierd? are they supposed to pop up out of the rest of the ntoes? as in, POP UP? in the cd, the accents suddenly shouts out, which makes me jump up.
are these jumpy accents to be played that way?
denmark77
Ha ha I loved your description of the 'jumpy' accents in no 19 of the Visions...

Yes, my recording has accents which make me rise suddenly in my seat to, but that, I reckon, is the composer's intention (agitatissimo, remember). It reminds me of some of the scarier sections of its close contemporaryThe Rite of Spring ... wildly syncopated and with irregular accents, so impossible to predict where the next one is coming....

Now I have not had chance to discuss this with my tutor yet, but for what its worth, let the accents jump I say.... Prokofiev is rekowned for the percussive style of some of his music anyway.

Denmark
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