I'm currently working on Brahms's clarinet sonata number 2, and the second movement has a really gorgeous middle passage that I want to do justice. The problem is, my throat tones, Bb in particular, are particularly awful on this clarinet. It's even worse if I'm using one of my "harder" reeds (which produces a better tone on most of the other notes).
I'm experimenting with resonance fingerings, and finding them very useful ("open" sound suits that passage imo), but I'm wondering if there's anything else I can do to help the sound of those annoying 4 notes?
