QUOTE(bourdon16 @ Oct 8 2009, 03:12 AM)

QUOTE(saxophile @ Oct 7 2009, 09:08 PM)

I also have to say I can't really see how it's much of a test of musical skill or ability
Oh yes it is! Try to imagine you are a conductor of a choir or orchestra and you know how the music should go. Your musicians play or sing a slightly different version. You need to be able to explain what they got wrong and where so that they can put it right. The difference is that you cannot see the music; you have to compare the 'correct' version which you hear first, with the faulty version.
So you say to your 'choir', "You sang a dotted rhythm towards the end of the phrase but the notes should be evenly spaced"
Stuff like that...
But that's my point. A conductor in my experience usually has the music in front of him/her. I can readily distinguish points at which the music which I hear deviates from the printed page in front of me, and can describe the nature of the deviation. What I can't do (it seems) is do the same thing when I am comparing my recollection of the first playing with what I am hearing second time around. But when would I need to do that, in real musical life? This is why it seems to me to be a test of auditory memory and not actually a test of musical ability.
However, I digress. Thanks for the link to the other thread, skylark / barry-clari - I shall have a go on these tests (sometime when I'm not at work

) and see if I can't train my auditory memory to be a bit sharper. And I will definitely keep the test in perspective - it's just that, for various annoying reasons to do with work and other commitments, I may only have a couple of lessons between now and my exam, which doesn't leave me much time for practice with my teacher on any of the aurals (or anything else, come to that!). Hence the plea for help!