QUOTE(flobiano @ Nov 17 2009, 06:34 AM)

QUOTE(Mad Tom @ Nov 16 2009, 06:28 PM)

Perhaps we can treat the DipABRSM as being somewhat below a professional standard of performance, and so requiring fewer than 10,000 hours. Perhaps 7,000 is more realistic .
This thread is really interesting as I have just finished reading about the 10,000 hour rule in Outliers By Malcolm Gladwell. Though his book implies that the 10,000 hour rule is more about getting to world class level rather than just a professional standard.
The research he quotes was done on how much practise music students had completed by the time they were 20 - all were at a standard good enough to be "an elite Academy of music" so I assume that means Conservatoire so surely already all at least grade 8 if not close to DipABRSM. Before asking for assessment of the level of practice the tutors assessed the students into 3 groups: firstly the stars who had potential to be world class soloists, second those considered merely "good" and thirdly those who were unlikely to make it playing "professionally" (though still good enough to get into conservatoire).
By age of 20 the first group had generally done at least 10,000 hours, the good students 8000 hours, the third group 4000 hours.
Take a look at INNATE TALENTS: REALITY OR MYTH?
http://www.bbsonline.org/Preprints/OldArchive/bbs.howe.htmlThis talks about the 10000 hours figure and also mentions 3300 for Grade 8 (where my 2000 came from I can't recall but apparently I have more work to do). Incidentally I did mean 0-8 in 2000 hours. Anyhow bearing in mind a "Group 3" conservatoire student will be a pretty good player, I'm not going to worry too much about trying to pack in 10000 hours. I've left it a bit late now.
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The level reached by the 10,000 hours practice people here seems to be well in excess of the DipABRSM.
Interestingly I was looking through the RNCM prospectus today. They have a scheme where a 3rd year undergrad student can have their year end recital judged for LRSM and postgrads can have their final recital judged for FRSM. That perhaps puts into context the relative standards.
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I estimate it took me about 500 hours practice to get to grade 5 on the oboe, but I wasn't a complete beginner as I could already read music and play another woodwind instrument so not sure how that influences the practice hours as I could transfer some skills across.
I played viola for a few years, have sung and dabbled with other instruments. When I started oboe last year, my teacher said "well your not a beginner". I reckon I got to Grade 4 in a little under 400 hours and I reckon 600 will get me to Grade 5 so I'm sure previous knowledge and experience do help. I am expecting that as I progress into the higher grades that early advantage will be less apparent.
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It would be interesting to know if the level of practice required is different for different instruments. I read something (also talking about the 10,000 hour rule) in a book that I borrowed from the library which suggested that it was! Was the research from Keele based on one particular instrument or a cross section?
The research was apparently carried out on violinists and pianists and came to similar conclusions.
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I think the most heartening part of the research quoted in Outliers is that they found no "grinders" - i.e. people who put in significantly more work than others while still being stuck in the third or second group. So the key thing that I took away was that if I practise then I WILL get better!

Indeed. In fact the article I posted a link to suggests "talent" doesn't enter into the equation. However, I think it is important to bear in mind that the hours quoted are an "approximate average". Some people, for whatever reason, will need less time and some will need more. I have no idea what the distribution curve would look like.
I would just sum up by saying I think it's daft to berate anyone for asking the question "how long will it take"? It's a perfectly normal thing for someone to contemplate. I have an idea based on my experience so far of how long it will take me to get to Grade 8. But I accept I may be completely wrong and that it's not a race. The journey is interesting in itself.