Help - Search - Members - Calendar
Full Version: Grade 6 Theory
Forums > Viva Network > Viva Piano
Host
Hi,
I have recently taken my grade 5 theory and got distinctiion. I am now very enthusiastic about theory and would like to continue it to the higher grades. I would also love to get good at song-writing and am very interested in harmonies and how "unusal" chord sequences work. Could you tell me what it involves and how to go about finding a teacher. My grade 5 teacher does not delve into the higher theory grades so I am stuck. Thanks.
Tom biggrin.gif
juniorpianist
Hi Tom!

Congratulations on your Grade 5 result! That's a great score! biggrin.gif

Work at the upper grades is vastly different from that of the lower grades. You'll need a very good teacher to check your work because there just isn't one answer to every question. Hm...I'll suggest asking your peers to see whether they have any teacher offering to teach Grade 6 theory and above?

I wouldn't advise you to try it out on your own though...'cause you still need someone reliable to check your progressions and everything.

Hope you find your teacher soon!

Cheers!
sbhoa
Have you tried ringing some local teachers?
This is how I found a teacher for higher theory grades.
As long as both teachers are aware of the situation it shouldn't be a problem.
Rhapsodin
Congrats.
You speak of "unusual" chords. I take it you mean those nice juicy ones, like ending on a chord of C major made up of (bass upwards:) C B E G (A) D.

Snazzy chords only come with experience experiment and practice, and playing pieces that use these kind of chords if you can find suitable music.

It's worth learning basic 4 part harmony (grade 6) i) so that you know what you must include and what you may exclude from chords.
ii) to learn about "suspensions" and apoggiatura chords - chords that contain notes alien to the proper harmony (of the chord) but resolve onto harmony notes, or onto new discords (that need further resolution).
{You're okay that's what discord means? A chord that has to be resolved}
iii) to learn to add dissonaces to basic triads - 7ths 9ths 11ths 13ths - and what to do with them!
It helps you to learn what's possible when moving through a sequence of chords....and when you can surprise people by not resolving things as they expect - or ending a sequence unexpectedly - like, imagine getting ready to end in C major but landing on A major instead.

But it's just as important not to take the "rules" of 4-part harmony too seriously - they're there mainly to help musicians develop good musical taste so worth paying lip-service to - but you won't be excommunicated if you break them here and there!!

Why 4-part harmony? It's less restrictive than 2 and 3 and the rules are less strict than 3 part (best to study counterpoint if you're interested in those). But it's restrictive enough to teach you what you can omit and not, when, say, writing for a quartet. But you can write as many notes in a piano/guitar accompaniment as seems right, of course.
And....in your own work there's nothing to stop you breaking into 5- 6- or more parts if you suddenly hit on a super sound! (Just don't do it in the exam!)

Don't be afraid to experiment. Write things down, learn what you've done, what extra notes you can add (and when not to use them). Remember, a single well-chosen dissonance can be magical in effect; just as too many extras might sound thick and horrid - you just have to learn the circumstances when to do what.

Grade 6 is where you become aware of these things (if you want to - you don't have to, you can just follow rules and still pass).
Very best of luck. I go along with finding a teacher if you can afford- even half-an-hour a week may be enough. Later, you may find you can work well on your own.
smile.gif
Rhapsodin
I should add that if you're more interested in chords in current pop music, it's best to aquire such sheet music as you can - or search the web for the guitar chords - and study them. You'll find much of it sounds "modal" (sort-of) because composer/producers get desperate to find something that sounds different and avoid major chords like the plague!
Often it's a guy sitting at his keyboard - finds a couple of nice sounding chords that work together so he does-them-to-death in what he calls a song. Uusually doesn't know how to end it so copies and pastes about 30 bars and sets the fade out over them.
There's nothing wrong with composing like this though your future would be fixed by luck in what you find rather than working out what to do.
smile.gif
Host
Cheers for that! That's really helpful! You have helped me alot.
I will try that and thanks for explaining.... well.... all of the above!
Thanks again!
Tom biggrin.gif
Rhapsodin
No trouble!
smile.gif

This is a "lo-fi" version of our main content. To view the full version with more information, formatting and images, please click here.