As long as you have a good musical ear, it's all down to the quality of the teaching and the amount of hours you put in. Whether you put in those hours over a matter of years or a matter of months, it really doesn't make much difference. They say it takes 10,000 hours so do the maths!
Or I'll do it...
365 days in a year, therefore with 1 hour a day it'll take you 30 years. With three hours a day it'll take you 10 years. Six hours a day it'll take five years. Twelve hours a day it'll take you two and a half.
I met a totally virtuosic violinist recently (Adam Summerhayes), and asked him how much he'd practised. he told me he went through a period of going crazy with practice - 12 hours a day for a couple of years. Aha! That's where he got his 10,000 hours in...
He was also taught by Ifra Niemann, a superb teacher.
OK, lets halve this for a Grade 8 level, so -
1 hour a day - 15 years
2 hours a day - 7/8 years
3 hours a day - 5 years
4 hours a day - 4 years
5 hours a day - 3 years
You get the picture.
This article is interesting:
No one would dispute that practice is an important component of achieving exceptional levels of performance in music, chess, sports and so on. After all, even the chess prodigy Bobby Fisher spent many years immersed in chess strategy and tactics before becoming world champion. But it is commonly assumed that both talent and practice are needed to achieve renown, where talent refers to some innate predisposition to make rapid advances in a particular field.
Yet evidence for the contribution of talent over and above practice has proved extremely elusive. In another recent study, Ericsson and his colleagues studied young pianists and violinists in their early 20s at the Music Academy of West Berlin, Germany. They asked the music professors to nominate the best young musicians, those who they thought had the potential for careers as international soloists, as well as others whose potential they regarded as not quite so great, and a third group who were most likely to become music teachers. Hence, in terms of achievement, the first group comprises the most exceptional musicians, the second group the next most outstanding, and the last group the least exceptional.
If "talent" is the primary factor, we might assume that these three groups differ in their innate giftedness for music and that this explains their different levels of achievement. If a person is innately gifted, then he or she can very rapidly attain an outstanding level of performance once the basic skills and knowledge required have been mastered. Yet Ericsson and his colleagues obtained a surprising finding: the best musicians had simply practiced more across their lives than the next best ones, who in turn had practiced more than the ones likely to become music teachers. Each of the musicians was asked to estimate approximately how many hours a week they had practiced each year since the outset of their musical training, and these estimates yielded cumulative totals of about 10,000 hours for the best musicians, followed by 8,000 for the next best ones and 5,000 for the least accomplished. The musicians also kept diaries for a week, recording their exact amounts of practice, and these yielded comparable differences, suggesting that the retrospective estimates were roughly accurate.The full article is at
http://www.psychol.ucl.ac.uk/david.shanks/..._expertise.htmlApparently it take 600 or so hours to reach grade 4 level.
Interesting, huh?
Violinia