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Time Pieces for Viola, Volume 2
Arrangers: Philip Bass, Paul Harris
Price: £6.25
Grade(s)/Level(s): 4, 5
Instrumentation: Viola & piano
Format: Sheet Music
Extent: 32 pages, Part(s): 12
ISBN: 9781860962554
- well-crafted and idiomatic arrangements of music from the thirteenth century to the present day
- presented in chronological order and showing the year in which they were written
- carefully arranged by Philip Bass and Paul Harris to practise the note ranges and keys of the early grades
- straighforward piano accompaniments
- allows you to get a real feel for the different styles of music through time
- invaluable source of further study and recital repertoire
Contents
- Wolfgang Amadeus Mozart Bei Männern, welche Liebe fühlen from The Magic Flute
- Anon. Chanson favorite d’Henri IV
- Eric Satie Gnossienne No. 1
- Henry Purcell Hallelujah from O God, thou art my God
- Anon. La nouvelle carel
- Philip Bass Landscape with Rumba
- Bohuslav Martinu Pierrot’s Serenade from Puppets, III
- Georg Philipp Telemann Recitativo and Arioso from Sonata in E minor for viola da gamba
- Kurt Weill September Song from Knickerbocker Holiday
- François-Joseph Gossec Tambourin
- Scott Joplin The Crush Collision March
- Franz Schubert arr. Ian Denley The Trout Op. 32, D. 550
Series Information: Time Pieces
Publication Date: 11th July 2002
Associated Board syllabus information- Viola 2005 onwards Grade 4 A1
- Viola 2005 onwards Grade 4 A2
- Viola 2005 onwards Grade 4 B5
- Viola 2005 onwards Grade 5 A3
- Viola 2005 onwards Grade 5 B4
- Viola 2005 onwards Grade 5 C1
- Viola 2005 onwards Grade 5 C2
Reviews
Press reviews
‘appealing melodies... a fascinating compilation that is certain to attract violists of the present day. There is a need for new viola repertoire and these delightful and well-crafted arrangements eminently fill the gap. Stringendo (Australia) Aug-Sept 2002 ‘All the pieces are interesting and enjoyable to play. These volumes are well written, extremely useful and are good value for money.’ MMA Ensemble Jan 03 ‘... all are well arranged and edited, and the piano accompaniments are simple but musically satisfying.’ Music Teacher June 2003