I am struggling to get smooth arpeggios - root and first inversion - in F# major and Eb minor. These are very rusty and I'm thinking about different fingerings. Any recommendations?
Thanks
Posted 15 November 2018 - 13:51
I am struggling to get smooth arpeggios - root and first inversion - in F# major and Eb minor. These are very rusty and I'm thinking about different fingerings. Any recommendations?
Thanks
Posted 15 November 2018 - 16:09
Ah the all black key ones ! Eb minor root I think I just use 123 123 123 etc no 4 at all and of course 5 at the top 321 321 321 . I was given that in my ALCM Dip in 1963, as the first arpeggio ! F# major can be done the same..
1st Inversion . 124124124 works better I think.
Posted 15 November 2018 - 20:55
Posted 15 November 2018 - 22:16
Posted 16 November 2018 - 08:26
If you have small hands you could re-arrange fingering to avoid the thumb turning on the largest interval -- for example RH root position ascending 2124 etc. Also experiment with which part of the thumb contacts the key -- possibilities are to play rather flat on the thumb to get maximum contact or to grip the edge of the black key slightly as you turn. Experiment with posture also -- sitting well back and 'sitting tall' can improve arm action for all arpeggios.
Posted 16 November 2018 - 10:27
For some reason I said nothing about LH, a senior moment !! I concur with tulip21
Posted 16 November 2018 - 12:34
Thank you everyone! I don't have small hands. I have tried in the past something like 2124 but I didn't find it any easier! Lots of slow hands separate practise I think!
Posted 16 November 2018 - 22:40
Consciously aim for the middle of the key.
Posted 17 November 2018 - 07:48
Maybe you're just expressing a difficulty we all have when we get to the stage of learning arpeggios only on black keys ... pretty hard! At least there's only two. I like the ones with one or two black notes in best, much easier.
Posted 06 December 2018 - 01:26
Maybe you're just expressing a difficulty we all have when we get to the stage of learning arpeggios only on black keys ... pretty hard! At least there's only two. I like the ones with one or two black notes in best, much easier.
Indeed, I find B major to be the easiest scale and arpeggio to play!
Posted 06 December 2018 - 08:54
I know, crazy isn't it? They start you off with C Major in Grade 1 and actually that's quite a hard one when there's no black notes to remind you where you are!
Posted 09 December 2018 - 11:42
Absolutely, Ellie! The first scales I tend to teach are E major and Db major, and we reduce #s and bs from there. I don't usually teach C major at all, apart from contrary, in the first couple of years. Trinity have a supremely logical system of the number of sharps/flats corresponding to the grade - which certainly makes my life easier as a teacher. If they're doing Grade 4, it's E major and Ab major plus their rel minors - simple! Also, I can tell my students that the scales get easier as they progress - always good.
Posted 09 December 2018 - 12:24
Posted 09 December 2018 - 12:32
Many teachers do, LP, and never try anything else. I did the same when I first started teaching, all those years ago. But I've found using mainly black keys is more helpful for establishing a healthy technique in young players. I think it was Chopin who recommended starting with B major as a first scale, and there is plenty of research on the subject. I teach B major slightly later, because of the irregular LH fingering - but well before C, G and F majors. I no longer take much notice of the order in which scales etc appear in the various exam syllabi (surprise ), where it's assumed that more black keys= harder, and fewer = easier. Ergonomically the reverse is true for pianists.
Posted 09 December 2018 - 12:53